{"id":206,"date":"2013-09-07T20:07:28","date_gmt":"2013-09-08T03:07:28","guid":{"rendered":"https:\/\/slantedhall.wordpress.com\/?p=206"},"modified":"2025-08-12T22:41:54","modified_gmt":"2025-08-13T05:41:54","slug":"typecon-2013-conference-trip-report","status":"publish","type":"post","link":"https:\/\/slantedhall.com\/blog\/2013\/09\/07\/typecon-2013-conference-trip-report\/","title":{"rendered":"TypeCon 2013 Conference Trip Report"},"content":{"rendered":"<p>Another great type design conference happened in Portland, Oregon, August 2013: <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\">TypeCon 2013: portl&amp;<\/a>. I ended up not taking as many notes, this year, so this trip report may be less extensive than the <a href=\"http:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\">TypeCon 2012 trip report<\/a>. The weekend prior to TypeCon, I was lucky enough to visit a good friend on the coast. A nice way to prepare. Lovely, relaxing serenity.<\/p>\n<p>I submitted a simple type specimen for my 1403 Vintage Mono Pro typeface to the <a href=\"http:\/\/www.typesociety.org\/typegallery\/\">TypeGallery<\/a>. My presentation on <em>Resurrecting Type of the IBM 1403<\/em>\u00a0was on <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/program#friday\">Friday, 23 August 2013, at 3:25pm<\/a>. Here&#8217;s <a href=\"http:\/\/www.typecon.com\/speakers\/jeff-kellem\">my program speaker bio<\/a>. During the weekend before, I decided to rework the narrative and probably shuffled things three times before the actual talk on Friday.<\/p>\n<blockquote>\n<p style=\"text-align: right;\">Jump to: <a href=\"#thursday\">Thursday<\/a>, <a href=\"#friday\">Friday<\/a>, <a href=\"#saturday\">Saturday<\/a>, <a href=\"#sunday\">Sunday<\/a>,\u00a0<a href=\"#typecrit\">Type Crit<\/a>, <a href=\"#links\">Links (write-ups, presentations, photos)<\/a>.<\/p>\n<\/blockquote>\n<p><strong>Tuesday<\/strong> night, I ran into Eric (@<a href=\"https:\/\/twitter.com\/mekkablue\">mekkablue<\/a>), <a href=\"http:\/\/remychwae.com\">Remy Chwae<\/a> (@<a href=\"https:\/\/twitter.com\/remychwae\">remychwae<\/a>), and John Downer. While walking to a nearby sushi boat place, John gave an impromptu lesson on sign painting technique. It can be difficult to go very far without finding an example of work to talk about; and that&#8217;s a good thing.<\/p>\n<p>On <strong>Wednesday<\/strong>, I took <a href=\"http:\/\/www.positype.com\/about\/\">Neil Summerour<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/positype\">positype<\/a>) fun\u00a0<a style=\"font-style: italic;\" href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/workshops#tickling-beziers\">Tickling B\u00e9ziers<\/a>\u00a0workshop. Some of Neil&#8217;s useful tips (and matching some of the ways I already work in designing type):<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"550\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">&quot;Weight of the curve wouldn&#39;t be up here. It would be down here. Think of a beer belly.&quot;\u2014<a href=\"https:\/\/twitter.com\/positype?ref_src=twsrc%5Etfw\">@positype<\/a>, Tickling B\u00e9ziers @ <a href=\"https:\/\/twitter.com\/hashtag\/typecon2013?src=hash&amp;ref_src=twsrc%5Etfw\">#typecon2013<\/a> <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/370569081075675136?ref_src=twsrc%5Etfw\">August 22, 2013<\/a><\/blockquote><\/div>\n<ul>\n<li>Plan for future adjustments.<\/li>\n<li>Use overlaps and leave them for future adjustments.<\/li>\n<li>Draw quickly, to capture the essence.<\/li>\n<li>Put nodes at extremes (0\u00b0 and 90\u00b0); rarely do anything else for curves.<\/li>\n<li>Leave off the extremum for a curve at the beginning of a path, for future adjustment.<\/li>\n<li>Use a grid for reference when drawing by hand.<\/li>\n<li>Draw strokes separately, e.g., separate paths for each marker stroke.<\/li>\n<li>Align overlaps at nodes.<\/li>\n<\/ul>\n<div>Neil mentioned some techniques he&#8217;d found for making geometric sans-serif letters work better. Someday I&#8217;ll try some comparisons of his and other typical techniques, along with my own experiments. Here&#8217;s the early d I digitized based on the doodle he presented in the workshop:<\/div>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"550\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">1st pass of my d during <a href=\"https:\/\/twitter.com\/positype?ref_src=twsrc%5Etfw\">@positype<\/a>&#39;s fun Tickling B\u00e9ziers <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a> workshop last Wed. From his doodle. <a href=\"https:\/\/twitter.com\/hashtag\/typecon2013?src=hash&amp;ref_src=twsrc%5Etfw\">#typecon2013<\/a> <a href=\"http:\/\/t.co\/SYI2CjUqrN\">pic.twitter.com\/SYI2CjUqrN<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/372571315867107329?ref_src=twsrc%5Etfw\">August 28, 2013<\/a><\/blockquote><\/div>\n<p>While finding the bus earlier that morning, I ran into\u00a0<a href=\"http:\/\/typecamp.org\/\">Shelley Gruendler<\/a> (@<a href=\"https:\/\/twitter.com\/dr_shelley\">dr_shelley<\/a>). Luckily, a friend of hers called, they waited, and we were able to catch the bus to the workshops.<\/p>\n<p>Wed night: Latin American type designer\u00a0<a href=\"http:\/\/alepaul.com\/\">Alejandro Paul<\/a> (@<a href=\"https:\/\/twitter.com\/alepaul\">alepaul<\/a>) of <a href=\"http:\/\/www.sudtipos.com\/\">Sudtipos<\/a> gave a nice <a href=\"http:\/\/www.typecon.com\/archives\/3028\">talk about his work<\/a>.<\/p>\n<p><a name=\"thursday\"><\/a>I had originally planned\u00a0to consider attending the <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/education\">Education Forum<\/a> on <strong>Thursday<\/strong>, but wanted to rework my presentation. I took a break from that to sit in on the forum so that <a href=\"http:\/\/stephencoles.org\">Stephen Coles<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/typographica\">typographica<\/a>) could join <a href=\"http:\/\/www.paulshawletterdesign.com\">Paul Shaw<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/paulshawletters\">paulshawletters<\/a>)\u00a0<a href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/events#thursday\">lettering walk around Portland<\/a>. If I&#8217;d realized that&#8217;s what he wanted to head off to, I might have offered to take his place there instead of working the room. \ud83d\ude09<\/p>\n<p>Karin Jager (@<a href=\"https:\/\/twitter.com\/Design__ed\">Design__ed<\/a>) of <a href=\"http:\/\/blogs.ufv.ca\/graphicdesign\/\">University of the Frasier Valley Graphic + Digital Design Program<\/a>\u00a0wrote about the forum in <a style=\"font-style: italic;\" href=\"http:\/\/www.gdc.net\/newsletter\/index\/articles\/1952.php\">TypeCon&#8217;s Educators Day<\/a>\u00a0in <a href=\"http:\/\/www.gdc.net\">The Society of Graphic Designer&#8217;s of Canada<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/gdcnational\">gdcnational<\/a>) <a href=\"http:\/\/www.gdc.net\/newsletter\/index\/issues\/495.php\">September 2013 newsletter<\/a>.<\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/monika-bartels\">Monika Bartels<\/a>\u00a0of <a href=\"http:\/\/fontwerk.de\">FontWerk<\/a>\u00a0shared her hinting flipbook. Her <em><a href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/workshops#hinting-design\">Hinting is the Design after the Design<\/a>\u00a0<\/em>workshop sounded interesting. I also wish my schedule could have allowed me to take <a href=\"http:\/\/www.typecon.com\/speakers\/kalapi-gajjar-bordawekar\">Kalapi Gajjar<\/a>&#8216;s\u00a0<a style=\"font-style: italic;\" href=\"http:\/\/www.typecon.com\/conferences\/typecon2013\/workshops#indic-type-design\">Indic Type Design: An Approach Towards Gujarati Display Typography<\/a>\u00a0workshop. I&#8217;ve been finding myself more and more interested in learning about Arabic and Indian type design, along with considering some script designs.<\/p>\n<p>In <em>Introducing the Figure Ground Relationship via Your Mother Tongue<\/em>,\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/colleen-ellis\">Colleen Ellis<\/a> talked about using student examples in their native language\/scripts in type education.\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/onur-yazicigil\">Onur Yaz\u0131c\u0131gil<\/a>,\u00a0co-creator of <a href=\"http:\/\/istype.com\">ISType<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/ISType\">ISType<\/a>), talked about getting students to use OpenType substitution to disrupt and deconstruct text flow in his <a href=\"http:\/\/www.onuryazicigil.com\/index.php?\/works\/text-invader\/\">Text Invader project<\/a>\u00a0(examples here). Reminded me of what could be done with early PostScript fonts (because of my background in Forth and PostScript programming in the 1980s). <a href=\"http:\/\/www.agould.com\">Annabelle Gould<\/a>\u00a0showed some interesting assignment results using text, image, and text+image to design a typographic poster using only text from a monologue. <a href=\"http:\/\/aggietoppins.com\">Aggie Toppins<\/a> (@<a href=\"https:\/\/twitter.com\/aggietoppins\">aggietoppins<\/a>) talked about getting students to experiment and produce large-format zine publications (receiving physical copies, in the end).<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" align=\"right\" data-width=\"550\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">Primal <a href=\"https:\/\/twitter.com\/ScreamOfficial?ref_src=twsrc%5Etfw\">@ScreamOfficial<\/a> Exterminator cover from <a href=\"https:\/\/twitter.com\/AJWShaughnessy?ref_src=twsrc%5Etfw\">@AJWShaughnessy<\/a> <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a> keynote. <a href=\"https:\/\/twitter.com\/hashtag\/typecon2013?src=hash&amp;ref_src=twsrc%5Etfw\">#typecon2013<\/a> <a href=\"http:\/\/t.co\/7PvyVG9HQ5\">http:\/\/t.co\/7PvyVG9HQ5<\/a> [couldn&#39;t find orig.]&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/377156985851875328?ref_src=twsrc%5Etfw\">September 9, 2013<\/a><\/blockquote><\/div>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/adrian-shaughnessy\">Adrian Shaughnessy<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/ajwshaughnessy\">ajwshaughnessy<\/a>) <a href=\"http:\/\/www.typecon.com\/archives\/2899\">keynote on his work<\/a> with music packaging and his publishing company <a href=\"http:\/\/www.uniteditions.com\">Unit Editions<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/uniteditions\">uniteditions<\/a>) was great fun for me since I&#8217;m also a musician and have been involved with <a href=\"http:\/\/www.dreams.org\/staff\/composer\/#photography\">music album packaging design as a photographer<\/a>. He worked on many albums you may have seen, especially with <a href=\"http:\/\/mute.com\/about\">Mute Records<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/muteUK\">muteUK<\/a>, @<a href=\"https:\/\/twitter.com\/muteUSA\">muteUSA<\/a>) and others. Adrian also announced that Unit Editions hopes to <strong>publish a comprehensive history of Letraset<\/strong>! He referenced Michael Bierut&#8217;s <a style=\"font-style: italic;\" href=\"http:\/\/observatory.designobserver.com\/feature\/on-design-bullshit\/3347\/\">On (Design) Bullshit<\/a>\u00a0article. He mentioned that the <a href=\"http:\/\/www.uniteditions.com\/shop\/wim-crouwel-digital-catalogue\"><em>Wim Crouwel Digital Catalogue book<\/em><\/a> is now free on the iPad. The 3,000 copies of the <a href=\"http:\/\/www.uniteditions.com\/shop\/herb-lubalin\">Herb Lubalin book<\/a> sold out, quickly. I thought I had details on the good Korean designer at the Royal College of Art whom Adrian mentioned, but can&#8217;t find those notes. A couple quotes from the talk:<\/p>\n<blockquote><p>Hire people better than you. Partner with non-designers; don&#8217;t partner with a designer.<\/p>\n<p><em>Re: setting up business partnerships.<\/em><\/p><\/blockquote>\n<p><a name=\"friday\"><\/a><strong>Friday<\/strong>\u00a0morning came. <a href=\"http:\/\/johnlabovitz.com\">John Labovitz<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/jslabovitz\">jslabovitz<\/a>)\u00a0shared stories and photographs of letterpress printers and such around the United States. One that I wrote down to consider checking out is <a href=\"http:\/\/www.officinabriani.com\">Brian Allen<\/a>\u00a0in Durham, NC. I had a related note about IBM in the 1970s, but don&#8217;t recall the full details. I&#8217;ve been interested in possible ways to reproduce the IBM 1403 print chain, so that&#8217;s likely why I wrote the note. <a href=\"http:\/\/www.typecon.com\/speakers\/john-berry\">John D. Berry<\/a> (@<a href=\"https:\/\/twitter.com\/johndberry\">johndberry<\/a>) &amp;\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/jules-remedios-faye\">Jules Remedios Faye<\/a>\u00a0(of <a href=\"http:\/\/www.sternandfaye.com\">Stern &amp; Faye, Letterpress Printers<\/a>) gave a nice talk on C. Christopher Stern. We visited the <a href=\"http:\/\/www.metaltype.org\">C. C. Stern metal shop<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/typefoundry\">typefoundry<\/a>) during the weekend. Definitely worth a visit when you&#8217;re in Portland, Oregon.<\/p>\n<a href=\"https:\/\/twitter.com\/Letterheadgirl\/status\/371389026601021440\">https:\/\/twitter.com\/Letterheadgirl\/status\/371389026601021440<\/a>\n<p><a href=\"http:\/\/www.paulshawletterdesign.com\">Paul Shaw<\/a> (@<a href=\"https:\/\/twitter.com\/paulshawletters\">paulshawletters<\/a>) gave a great showing of <a href=\"http:\/\/academics.wellesley.edu\/German\/GeorgeSalter\/Documents\/bio.html\">George Salter<\/a> and <a href=\"http:\/\/www.booktryst.com\/2013\/05\/dust-jacket-designer-philip-grushkin.html\">Philip Grushkin<\/a>&#8216;s calligraphic book jackets. <a href=\"http:\/\/www.typecon.com\/speakers\/carl-crossgrove\">Carl Crossgrove<\/a> reviewed ornamental lettering history, showing some great images. <a href=\"http:\/\/www.typecon.com\/speakers\/michelle-perham\">Michelle Perham<\/a> talked about emoji and its impact on type technology innovation. &#8220;Microsoft doesn&#8217;t smile.&#8221; re:\u00a0\ud83d\udca9 (Unicode 1F4A9). I missed talking with her at the conference, alas. It&#8217;ll be interesting to see where <a href=\"http:\/\/typophile.com\/node\/104174\">COLR and CPAL OpenType table support<\/a> ends up (already in Windows 8.1 Preview). I forgot to put the <a href=\"http:\/\/typophile.com\/node\/105612\">Color Fonts meeting<\/a> on my calendar and missed the gathering at TypeCon. Here&#8217;s <a href=\"http:\/\/www.twardoch.net\">Adam Twardoch<\/a>&#8216;s <a href=\"http:\/\/typophile.com\/node\/105612#comment-563733\">analysis<\/a> (from that same thread). The @<a href=\"https:\/\/twitter.com\/W3C\">W3C<\/a>\u00a0<a href=\"http:\/\/www.w3.org\/community\/offx\/\">Open Font Format for Exchange (OFF\/X) Community Group<\/a>\u00a0was also created after discussions at TypeCon, looking for more widespread participation &#8220;from typographers, font vendors, font bureaux, web designers and web browser developers.&#8221;<\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/erin-mclaughlin\">Erin McLaughlin<\/a> (@<a href=\"https:\/\/twitter.com\/HindiRinny\">HindiRinny<\/a>) gave a great talk on the history and relationships of the Kannada and Telugu writing systems. So much good research, information, and images (mostly her own). Interesting to see the use of a metal stylus, resting in a notch of one&#8217;s fingernail, to draw letters in palm leaves. That reminds me, I forgot to talk with Erin about an idea for drawing one of the letters she said she hadn&#8217;t yet figured out.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><div class=\"embed-twitter\"><blockquote class=\"twitter-tweet\" data-conversation=\"none\" align=\"right\" data-width=\"220\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\"><a href=\"https:\/\/twitter.com\/composerjk?ref_src=twsrc%5Etfw\">@composerjk<\/a> <a href=\"https:\/\/twitter.com\/djrrb?ref_src=twsrc%5Etfw\">@djrrb<\/a> there you go <a href=\"http:\/\/t.co\/NNf03Lv0wX\">pic.twitter.com\/NNf03Lv0wX<\/a><\/p>&mdash; mekka blue (@mekkablue) <a href=\"https:\/\/twitter.com\/mekkablue\/status\/372558121945681920?ref_src=twsrc%5Etfw\">August 28, 2013<\/a><\/blockquote><\/div><\/div>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/david-jonathan-ross\">David Ross<\/a> (@<a href=\"https:\/\/twitter.com\/djrrb\">djrrb<\/a>) gave a fun talk on reversed-stress typefaces. &#8220;Funkiness has a special place in my heart.&#8221; See his demo of <a href=\"http:\/\/djr.com\/backasswards\/\">Backasswords<\/a>\u00a0on <a href=\"http:\/\/djr.com\/\">his site<\/a>. Later that night at a concert, Eric noticed reversed-stress typefaces on the <a href=\"http:\/\/mariancall.com\/\">Marian Call<\/a> \/ <a href=\"http:\/\/www.thedoubleclicks.com\">The Doubleclicks<\/a> poster (partially shown here).<\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/amelia-hugill-fontanel\">Amelia Hugill-Fontanel<\/a> (@<a href=\"https:\/\/twitter.com\/ameliafont\">ameliafont<\/a>) encouraged everyone to get to know their local library scientist, showing nice examples from the fabulous <a href=\"http:\/\/library.rit.edu\/cary\/\">RIT Cary Library<\/a>\u00a0(which I hope to visit, soon). We also talked about a possible future writing project.<\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/kitty-maryatt\">Kitty Maryatt<\/a>\u00a0talked about the undergraduate class at Scripps College Press in which students carved letters, created plates, and <a href=\"http:\/\/www.vampandtramp.com\/finepress\/s\/scripps.html#out\">printed books by letterpress<\/a> from the results. The students also digitized the 1.5 inch wood type, calling it NeoSchmidt.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><div class=\"embed-twitter\"><blockquote class=\"twitter-tweet\" align=\"right\" data-width=\"220\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">And an IBM 1403. \/cc <a href=\"https:\/\/twitter.com\/ComputerHistory?ref_src=twsrc%5Etfw\">@ComputerHistory<\/a> RT <a href=\"https:\/\/twitter.com\/mekkablue?ref_src=twsrc%5Etfw\">@mekkablue<\/a>: On stage together with Peter Sellers at <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a>: <a href=\"https:\/\/twitter.com\/composerjk?ref_src=twsrc%5Etfw\">@composerjk<\/a>! <a href=\"http:\/\/t.co\/2eFwoQ0okM\">pic.twitter.com\/2eFwoQ0okM<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/371174208169979904?ref_src=twsrc%5Etfw\">August 24, 2013<\/a><\/blockquote><\/div><\/div>\n<p><a href=\"http:\/\/blog.typekit.com\/2011\/10\/26\/type-is-indispensible-an-interview-with-christopher-slye-from-the-adobe-type-team\/\">Christopher Slye<\/a> (@<a href=\"https:\/\/twitter.com\/ChristopherSlye\">ChristopherSlye<\/a>)\u00a0<a name=\"1403-talk\"><\/a>provided\u00a0a nice, funny introduction for me (@<a href=\"https:\/\/twitter.com\/composerjk\">composerjk<\/a>) and my<em>\u00a0Resurrecting Type of the IBM 1403\u00a0<\/em>presentation. Since <a href=\"http:\/\/www.dreams.org\/staff\/composer\/\">my background<\/a> includes a wide variety of areas, I&#8217;m always curious to hear what people say. I presented aspects of my research into the IBM 1403, including a visit to the <a href=\"http:\/\/computerhistory.org\/\">Computer History Museum<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/ComputerHistory\">ComputerHistory<\/a>) restored 1401 mainframes and 1403 printers. The public <em>1401 Experience<\/em>\u00a0exhibit is scheduled to open on 17 Nov 2013.\u00a0The talk concluded with the custom subset of the resultant typeface in use in a clip from Trevor Brymer&#8217;s film <a href=\"http:\/\/6equj5.slantedhall.com\/\"><em>6EQUJ5<\/em><\/a> (released online in 2016). Some folk seemed to even enjoy the\u00a0presentation. A few folk either gave some history details or will hopefully connect me with others who worked on type and the 1403 printer back then. Matthew Carter\u00a0mentioned that he&#8217;d done work with IBM on the later 3800(?); they supplied bitmaps to IBM. Here&#8217;s a nice <a href=\"http:\/\/www.printmag.com\/interviews\/an-interview-with-matthew-carter\/\">interview with Matthew Carter<\/a> by <a href=\"http:\/\/www.paulshawletterdesign.com\">Paul Shaw<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/paulshawletters\">paulshawletters<\/a>). <a href=\"http:\/\/www.greyletter.com\">Neil Patel<\/a> (@<a href=\"https:\/\/twitter.com\/greyletter\">greyletter<\/a>) came up afterwards to mention work he&#8217;d done on creating type based on NCR thermal printers (for NCR); I&#8217;m curious to see those results. <a href=\"http:\/\/johnlabovitz.com\">John Labovitz<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/jslabovitz\">jslabovitz<\/a>) is interested in the FORMAT program used on IBM mainframes for print layout\/output using punchcards for input. Steve Matteson shared about his experience designing many monospace typefaces and gave some nice comments about mine.<\/p>\n<p>Thanks for all the nice comments and suggestions for contacts about further history research related to the IBM 1403 mainframe line printer. Here are some\u00a0<a href=\"http:\/\/slantedhall.com\/blog\/category\/1403-vintage-mono-pro\/\">historical progress<\/a> notes on my <a href=\"https:\/\/slantedhall.com\/fonts\/1403\">1403 Vintage Mono Pro<\/a> typeface development. I&#8217;m hoping to get the type website\/storefront and typeface released in the next month or two. Thanks to encouragement from a few folk, I may turn the presentation into written prose for a couple different venues.<\/p>\n<p><strong>Update: 16 February 2016:\u00a0<\/strong>The\u00a0<a href=\"https:\/\/slantedhall.com\/fonts\/1403\"><em>1403 Vintage Mono Pro<\/em><\/a>\u00a0typeface has been updated, extensively, now over 2,300 glyphs supporting 160+ languages. Check out the\u00a0<a href=\"https:\/\/1403.slantedhall.com\/\">1403.slantedhall.com web specimen<\/a>:<\/p>\n<p><a href=\"https:\/\/1403.slantedhall.com\/\"><img loading=\"lazy\" decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" title=\"1403-print-samples.png\" src=\"http:\/\/slantedhall.com\/blog\/wp-content\/uploads\/2016\/02\/1403-print-samples5.png\" alt=\"1403 Vintage Mono Pro typeface specimen site\" width=\"600\" height=\"300\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/jim-kidwell\">Jim Kidwell<\/a>\u00a0of Extensis (@<a href=\"https:\/\/twitter.com\/extensis\">extensis<\/a>) showed results of their recent survey on perception of font licensing and their wants\/needs. Interesting, though I&#8217;d have preferred to see more on ideas and suggestions for evolving licensing, especially starting today. But, that&#8217;s just my personal bias showing up.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"550\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"fr\" dir=\"ltr\">Font design for print, embroidery, &amp; appliqu\u00e9. <a href=\"https:\/\/twitter.com\/kyleread?ref_src=twsrc%5Etfw\">@kyleread<\/a> awarded <a href=\"https:\/\/twitter.com\/typesociety?ref_src=twsrc%5Etfw\">@typesociety<\/a> Catalyst Award <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a>\u2026 <a href=\"http:\/\/t.co\/lvN5UjaA8O\">http:\/\/t.co\/lvN5UjaA8O<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/371069269133770752?ref_src=twsrc%5Etfw\">August 24, 2013<\/a><\/blockquote><\/div>\n<p>The <a href=\"http:\/\/www.typesociety.org\/catalyst\/2013\/\">2013 SOTA Catalyst Award<\/a>\u00a0was presented to <a href=\"http:\/\/www.typecon.com\/speakers\/kyle-read\">Kyle Read<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/kyleread\">kyleread<\/a>). Well deserved! He had the fun project of designing type that would be used for print, embroidery, and appliqu\u00e9; talked about the challenges and solutions.\u00a0For one client: &#8220;Notice there&#8217;s no z in this font. The CEO hated Zs.&#8221; Check out <a href=\"http:\/\/www.kylrd.com\">Kyle&#8217;s work<\/a>.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"550\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">Note the Hermes Rocket typewriter, <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a>! A favorite. Good Morning Moon by @mariancall. <a href=\"https:\/\/twitter.com\/hashtag\/typecon2013?src=hash&amp;ref_src=twsrc%5Etfw\">#typecon2013<\/a> w\/<a href=\"https:\/\/twitter.com\/mekkablue?ref_src=twsrc%5Etfw\">@mekkablue<\/a> <a href=\"http:\/\/t.co\/KWlyuMACei\">http:\/\/t.co\/KWlyuMACei<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/371179115979616256?ref_src=twsrc%5Etfw\">August 24, 2013<\/a><\/blockquote><\/div>\n<p>Eric (@<a href=\"https:\/\/twitter.com\/mekkablue\">mekkablue<\/a>) and I skipped the <a href=\"http:\/\/signpaintermovie.blogspot.ca\">Sign Painters<\/a>\u00a0documentary screening to see <a href=\"http:\/\/mariancall.com\">Marian Call<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/mariancall\">mariancall<\/a>), an Alaskan musician I know. He&#8217;d missed her shows when she came through Vienna, Austria. Due to my schedule of dance workshops and other projects, I&#8217;d also just missed a number of her recent shows. Thanks to Marian and the event organizer for being able to squeeze us in. The show opened with local Portland group\u00a0<a href=\"http:\/\/www.thedoubleclicks.com\">The Doubleclicks<\/a> (@<a href=\"https:\/\/twitter.com\/thedoubleclicks\">thedoubleclicks<\/a>); they organized this gig. From the very first song, I was smiling and knew I&#8217;d enjoy the night. Such a fun show. Marian (who owns 5 typewriters and uses them in her performances) mentioned that one was in the shop at the recommended\u00a0<a href=\"http:\/\/www.bluemooncamera.com\">Blue Moon Camera<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/bluemooncamera\">bluemooncamera<\/a>) in Portland.<\/p>\n<p style=\"text-align: left;\"><a name=\"saturday\"><\/a><strong>Saturday<\/strong>\u00a0morning, <a href=\"http:\/\/www.typecon.com\/speakers\/kevin-larson\">Kevin Larson<\/a>\u00a0showed some of the experiments they did at Microsoft on trying to understand the differences between various text rendering implementations. They found some of the results surprising.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"220\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">Next with Source font family: Cyrillic, Greek, italics.  <a href=\"https:\/\/twitter.com\/AdobeType?ref_src=twsrc%5Etfw\">@adobetype<\/a> <a href=\"https:\/\/twitter.com\/pauldhunt?ref_src=twsrc%5Etfw\">@pauldhunt<\/a> @forcebold <a href=\"https:\/\/twitter.com\/typecon?ref_src=twsrc%5Etfw\">@typecon<\/a>\u2026 <a href=\"http:\/\/t.co\/FPPNEcIcq6\">http:\/\/t.co\/FPPNEcIcq6<\/a><\/p>&mdash; Jeff Kellem (@composerjk) <a href=\"https:\/\/twitter.com\/composerjk\/status\/371316254734577664?ref_src=twsrc%5Etfw\">August 24, 2013<\/a><\/blockquote><\/div>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/paul-d-hunt\">Paul D. Hunt<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/pauldhunt\">pauldhunt<\/a>) &amp; <a href=\"http:\/\/www.typecon.com\/speakers\/miguel-sousa\">Miguel Sousa<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/forcebold\">forcebold<\/a>) talked about their experience with releasing the open source font families\u00a0<a href=\"http:\/\/blogs.adobe.com\/typblography\/2012\/08\/source-sans-pro.html\">Source Sans Pro<\/a> and <a href=\"http:\/\/blogs.adobe.com\/typblography\/2012\/09\/source-code-pro.html\">Source Code Pro<\/a>, how it changed some of the workflow and tools, and how to improve processes, communication, and interaction. They also announced that the <a href=\"http:\/\/www.adobe.com\/devnet\/opentype\/afdko.html\">Adobe Font Development Kit for OpenType (AFDKO)<\/a>\u00a0now supports <a href=\"http:\/\/unifiedfontobject.org\">UFO<\/a>\u00a0files (as of\u00a0build 60838, 10 Sep 2013). One suggestion I made afterwards was to add more specific documentation on how to participate, examples of taking on a task that they&#8217;d like others to do, suggestions for tasks to take on, etc. Quick notes on how to get started on helping will likely be useful. I started with open source projects nearly 30 years ago. The community of type designers is small compared to the number of programmers in the world. I think it&#8217;s perfectly fine if you only end up with a small community working on a project. For me, I definitely had interest in helping out, but have been too busy with other projects; I do hope to see if there are areas in which I can contribute.<\/p>\n<div class=\"x-embed x-is-rich x-is-twitter\"><blockquote class=\"twitter-tweet\" data-width=\"220\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\"><a href=\"https:\/\/twitter.com\/hashtag\/TypeCon?src=hash&amp;ref_src=twsrc%5Etfw\">#TypeCon<\/a> meets type foundry: Sunday&#39;s open house at <a href=\"https:\/\/twitter.com\/hashtag\/CCStern?src=hash&amp;ref_src=twsrc%5Etfw\">#CCStern<\/a> in Portland. Ah, the smell of hot type! <a href=\"http:\/\/t.co\/gNK3j22bJh\">pic.twitter.com\/gNK3j22bJh<\/a><\/p>&mdash; John D. Berry (@johndberry) <a href=\"https:\/\/twitter.com\/johndberry\/status\/372454843723440129?ref_src=twsrc%5Etfw\">August 27, 2013<\/a><\/blockquote><\/div>\n<p>I ended up missing the next session due to hallway conversations, though I was interested in hearing both. <a href=\"http:\/\/www.typecon.com\/speakers\/jeff-shay\">Jeff Shay<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/rtistwon\">rtistwon<\/a>)\u00a0talked about <em>Why Metal Typography Matters in the 21st Century<\/em>. I did manage to talk with Jeff over at the <a href=\"http:\/\/www.metaltype.org\">C. C. Stern Foundry<\/a>, later, about ways one might recreate the metal slugs and print chains of the IBM 1403 printer. <a href=\"http:\/\/fuchiehwu.com\">Fu-Chieh Wu<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/fuchwu\">fuchwu<\/a>) talked about the <a href=\"http:\/\/typeoftaiwan.tumblr.com\"><em>Type of Taiwan<\/em><\/a>. Also, take a look at her <a href=\"http:\/\/fuchiehwu.com\/index.php\/work\/typography-book\/\">Typography Book<\/a> project.\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/aaron-bell\">Aaron Bell<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/aaronbell\">aaronbell<\/a>) gave a great talk on Pureosseugi. What, you ask? Linear Hangeul. &#8220;The curious story of pureosseugi&#8221; in Korea during the age of Linotype and Monotype machines. It didn&#8217;t catch on. Wish I had more notes and slides to share.\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/nahid-tootoonchi\">Nahid Tootoonchi<\/a> talked about poster design in Iran.<\/p>\n<p><a href=\"http:\/\/www.thomasphinney.com\">Thomas Phinney<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/ThomasPhinney\">ThomasPhinney<\/a>) moderated a panel on <em>Fonts by Subscription: Threat or Menace?<\/em>\u00a0I was happy to find that the panel actually included views on both sides. Dave Crossland&#8217;s (@<a href=\"https:\/\/twitter.com\/davelab6\">davelab6<\/a>)\u00a0<a href=\"http:\/\/understandingfonts.com\/blog\/2013\/08\/typecon-portland\/\">live blog notes<\/a> have some good details on the panel. Search for &#8220;threat.&#8221;<\/p>\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-instagram\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/daXf-AJOIJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:640px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/daXf-AJOIJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/daXf-AJOIJ\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Jeff Kellem (@composerjk)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div><\/div>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/steve-matteson\">Steve Matteson<\/a> shared the beauty and scholarship of the 1937 <em>Diggings from Many Ampersandhogs<\/em>\u00a0by Paul Bennet of the <a href=\"http:\/\/www.typophiles.org\/fshistory.html\">NY Typophiles<\/a>. I want a copy of this book for my library.\u00a0Only 125 were printed. Here&#8217;s a <a href=\"http:\/\/www.lawsonarchive.com\/december-23\/\">description from the Alexander S. Lawson archive<\/a>. <a href=\"http:\/\/www.typecon.com\/speakers\/kurt-campbell\">Kurt Campbell<\/a> talked about the challenges of developing a visual identity for South Africa when the guidelines have strict font requirements. <a href=\"http:\/\/www.typecon.com\/speakers\/jeff-moore\">Jeff Moore<\/a> (@<a href=\"https:\/\/twitter.com\/greenoliveeats\">greenoliveeats<\/a>) showed vintage record label design and typography of 7&#8243; 45rpm singles. <a href=\"http:\/\/petemccracken.com\">Pete McCracken<\/a>\u00a0gave an enjoyable and fun(ny) talk on <em>Fame &amp; Fortune<\/em>.<\/p>\n<p><a href=\"http:\/\/www.emigre.com\/Licko6.php\">Zuzana Licko<\/a>\u00a0(one of the founders of <a href=\"http:\/\/www.emigre.com\/\">Emigre<\/a>) gave a lovely thank you as she was presented the <a href=\"http:\/\/www.typesociety.org\/typography\/\">2013 SOTA Typography Award<\/a>. Very well deserved. Meant to talk with her, but missed doing so, as happens at busy and good conferences.<\/p>\n<p>Over dinner at the good <a href=\"http:\/\/www.eastindiacopdx.com\">East India Co.<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/eastindiacopdx\">eastindiacopdx<\/a>), <a href=\"http:\/\/www.arabictype.com\">Nadine Chahine<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/arabictype\">arabictype<\/a>) and I had a lovely conversation about the combination of dance and type. We even ended up with an idea for a choreography\/story to tell fusing multiple dance styles from belly dance to Greek to blues\/waltz that I may have to develop someday. I also need to look into the Greek dance <a href=\"http:\/\/en.wikipedia.org\/wiki\/Zeibekiko\">zeibekiko<\/a>. A very nice dinner and conversation with other type folk, including <a href=\"http:\/\/leonidas.org\">Gerry Leonidas<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/gerryleonidas\">gerryleonidas<\/a>), <a href=\"http:\/\/robmck.com\/\">Rob McKaughan<\/a> (@<a href=\"https:\/\/twitter.com\/robmck\">robmck<\/a>) (who also tango dances), <a href=\"http:\/\/www.tiro.com\">John Hudson<\/a>, and <a href=\"http:\/\/johndberry.com\">John D. Berry<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/johndberry\">johndberry<\/a>).<\/p>\n<p>Other very good food was had on Saturday at <a href=\"http:\/\/shigezo-pdx.com\">Shigezo<\/a>. Highly recommended. Our group got split up, but still had good conversations with <a href=\"http:\/\/sorkintype.com\">Eben Sorkin<\/a> (@<a href=\"https:\/\/twitter.com\/ebensorkin\">ebensorkin<\/a>), <a href=\"http:\/\/www.typecon.com\/speakers\/john-downer\">John Downer<\/a>, <a href=\"http:\/\/www.typecon.com\/speakers\/rainer-erich-scheichelbauer\">Rainer Erich Scheichelbauer<\/a> (@<a href=\"https:\/\/twitter.com\/mekkablue\">mekkablue<\/a>), and\u00a0<a href=\"http:\/\/www.onuryazicigil.com\/\">Onur Yaz\u0131c\u0131gil<\/a>. We also had a good lunch crowd at <a href=\"http:\/\/www.picnichousepdx.com\">The Picnic House<\/a>. I remember the food being good; just don&#8217;t look at the menu typography. I remember having nice conversations, but am blanking on the names of those around me. We found that <a href=\"http:\/\/dezcom.com\">Chris Lozos<\/a> (@<a href=\"https:\/\/twitter.com\/dezcom\">dezcom<\/a>) had left a book; so, I was able to return it to him back at the conference.<\/p>\n<p><a name=\"sunday\"><\/a><strong>Sunday<\/strong><strong>.<\/strong>\u00a0<a href=\"http:\/\/crystiancruz.com\">Crystian Cruz<\/a> (@<a href=\"https:\/\/twitter.com\/crystiancruz\">crystiancruz<\/a>) showed ways of using OpenType features to play with design issues. <a href=\"http:\/\/mehallo.com\/blog\/\">Steve Mehallo<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/mehallo\">mehallo<\/a>) described his new modern art video game from the 1920s, <a href=\"http:\/\/flommus.tumblr.com\">FLomm<\/a> (@<a href=\"https:\/\/twitter.com\/flommus\">flommus<\/a>). Check it out. <a href=\"http:\/\/erik.vorh.es\">Erik Vorhes<\/a> (@<a href=\"https:\/\/twitter.com\/erikvorhes\">erikvorhes<\/a>) talked about making the web more accessible with type and typography. Here&#8217;s his <a href=\"https:\/\/speakerdeck.com\/erikvorhes\/accessibilitype-typecon2013-portl-and\">slide deck for Accessibilitype!<\/a><\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/frank-grieshammer\">Frank Grie\u00dfhammer<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/kioskfonts\">kioskfonts<\/a>) got people interested in <em>The Amazing World of Box Drawing Characters<\/em>. Now that <a href=\"https:\/\/github.com\/adobe-type-tools\/boxDrawing\">his scripts are on github<\/a>, you have no excuse not to include box drawing glyphs in your monospace fonts. Works with <a href=\"http:\/\/glyphsapp.com\/\">Glyphs<\/a>, <a href=\"http:\/\/doc.robofont.com\/\">Robofont<\/a>, and <a href=\"http:\/\/www.fontlab.com\/font-editor\/fontlab-studio\/\">FontLab<\/a>; and, also from the command line using <a href=\"http:\/\/robofab.org\/\">Robofab<\/a>.<\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/richard-kegler\">Richard Kegler<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/rkegler\">rkegler<\/a>) shared how the <a href=\"http:\/\/www.hamiltonwoodtype.com\">Hamilton Wood Type Foundry<\/a>\u00a0came to be to support the fabulous <a href=\"http:\/\/woodtype.org\">Hamilton Wood Type Museum<\/a>\u00a0in Two Rivers, Wisconsin.<\/p>\n<p>The closing session had Rob Saunders showcasing lovely samples of <a href=\"http:\/\/en.wikipedia.org\/wiki\/William_Addison_Dwiggins\">William Addison Dwiggins<\/a> work, part of Rob&#8217;s new <a href=\"http:\/\/letterformarchive.org\">Letterform Archive<\/a> (@<a href=\"https:\/\/twitter.com\/LettArc\">LettArc<\/a>). One publication that I hope to see in person is the 1937\u00a0<em>Now that you Belong<\/em>\u00a0guide for new employees of New England Telephone. See pages 58\u201359 of <a href=\"http:\/\/letterformarchive.org\/dwiggins\">his presentation<\/a>.<\/p>\n<a href=\"https:\/\/twitter.com\/samarskaya\/status\/371751623837495297\">https:\/\/twitter.com\/samarskaya\/status\/371751623837495297<\/a>\n<p><a name=\"typecrit\"><\/a>The <a href=\"http:\/\/www.typecon.com\/archives\/3364\">Type Crit<\/a>\u00a0was one of my favorite parts of <a href=\"http:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\">TypeCon 2012<\/a>. This year, I decided to sign up for one of the 10-minute blocks. Critique was handled by the trio of <a href=\"http:\/\/www.linotype.com\/469\/akirakobayashi.html\">Akira Kobayashi<\/a>, <a href=\"http:\/\/www.hansondodge.com\/News\/Hanson-Dodge-Creative-AIGA-Showcase-John-Downer-Exhibition\">John Downer<\/a>, and <a href=\"http:\/\/www.typecon.com\/speakers\/matthew-carter\">Matthew Carter<\/a>. There were some great designs being shown again this year. At one point, Matthew Carter remarked,\u00a0<em>&#8220;<\/em><em>Roman narrow types are useful, good to have; there aren&#8217;t many good ones.&#8221;<\/em>\u00a0While printing final critique sheets (thanks to <a href=\"http:\/\/djr.com\/\">David Ross<\/a> (@<a href=\"https:\/\/twitter.com\/djrrb\">djrrb<\/a>) for the suggested addition), I missed <a href=\"http:\/\/thomasjockin.com\">Thomas Jockin<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/thomasjockin\">thomasjockin<\/a>) critique, but heard good things. <a href=\"http:\/\/tom.conroy.com.au\/\">Tom Conroy<\/a> (@<a href=\"https:\/\/twitter.com\/_tomconroy\">_tomconroy<\/a>) showed his <a href=\"http:\/\/tom.conroy.com.au\/work\/marteau\/\">Marteau typeface<\/a>\u00a0to great response; I think Matthew Carter&#8217;s quote of &#8220;<em><strong>It&#8217;s perfect. Next.<\/strong><\/em>&#8221; was how that critique began (unless I&#8217;m misremembering). Tom started work on Marteau while attending the <a href=\"http:\/\/coopertype.org\/condensed\">Type@Cooper Condensed Program<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/CooperType\">CooperType<\/a>).\u00a0<a href=\"http:\/\/carolinadebartolo.com\">Carolina de Bartolo<\/a> (@<a href=\"https:\/\/twitter.com\/carodebartolo\">carodebartolo<\/a>) showed her fun\u00a0<a href=\"http:\/\/www.cul8rlorem.com\">TXT101 typeface<\/a>\u00a0for mock text and borders. <a href=\"http:\/\/www.kevincolemandesign.com\/\">Kevin Coleman<\/a> (@<a href=\"https:\/\/twitter.com\/kevinncoleman\">kevinncoleman<\/a>)\u00a0said <a href=\"http:\/\/www.mobypicture.com\/user\/kevinncoleman\/view\/15861889\">he survived<\/a>. I wish I&#8217;d written down other names of who was showing, but I was distracted waiting for my own critique session.<\/p>\n<p>Most of the comments were related to decisions I made to match historical context or were small things I already had on my list to think about. Surprisingly, John Downer noted something that worked &#8220;<em><strong>exceptionally well.<\/strong><\/em>&#8221; Matthew Carter agreed and gave the unexpected quote of &#8220;<strong><em>I may steal that\u00a0\u2026\u00a0you may see that again.<\/em><\/strong>&#8221; Thanks to\u00a0<a href=\"http:\/\/samarskaya.com\/\">Ksenya Samarskaya<\/a> (@<a href=\"https:\/\/twitter.com\/samarskaya\">samarskaya<\/a>) for reviewing my Cyrillic at the conference and capturing the quote. Thanks for nice comments and notes from <a href=\"http:\/\/tosche.net\">Toshi Omagari<\/a> (@<a href=\"https:\/\/twitter.com\/Tosche_E\">Tosche_E<\/a>), Steve Matteson, Carolina de Bartolo, <a href=\"http:\/\/meirsadan.com\">Meir Sadan<\/a> (@<a href=\"https:\/\/twitter.com\/meirsadan\">meirsadan<\/a>) (and for comments on Hebrew and potential historical connections), <a href=\"http:\/\/www.fontbureau.com\/people\/HarryParker\/\">Harry Parker<\/a>, <a href=\"http:\/\/stevenskaggs.net\">Steven Skaggs<\/a>,\u00a0<a href=\"http:\/\/stephenrapp.com\">Steven Rapp<\/a>,\u00a0and others. Apologies for not capturing everyone&#8217;s names; I quite appreciated all the comments. Toshi also shared with me the monospace typeface he&#8217;s been designing; look forward to seeing it released, someday. [<strong>Update<\/strong>: MyFonts (@<a href=\"https:\/\/twitter.com\/myfonts\">myfonts<\/a>)\u00a0<a href=\"http:\/\/www.myfonts.com\/newsletters\/cc\/201310.html\">Creative Characters interview with Matthew Carter<\/a>, October 2013.]\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-twitter\"><blockquote class=\"twitter-tweet\" align=\"right\" data-width=\"220\" data-lang=\"en\" data-dnt=\"true\" data-partner=\"jetpack\"><p lang=\"en\" dir=\"ltr\">Shown publicly for the first time, a selection of Jim Parkinson\u2019s sign paintings. In the <a href=\"https:\/\/twitter.com\/hashtag\/TypeCon?src=hash&amp;ref_src=twsrc%5Etfw\">#TypeCon<\/a> gallery. <a href=\"http:\/\/t.co\/YQoOXfTIEe\">pic.twitter.com\/YQoOXfTIEe<\/a><\/p>&mdash; Typographica (@typographica) <a href=\"https:\/\/twitter.com\/typographica\/status\/370688749912342528?ref_src=twsrc%5Etfw\">August 22, 2013<\/a><\/blockquote><\/div><\/div>\n<p><a href=\"http:\/\/leksendesign.com\/\">Andrea Leksen<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/leksendesign\">leksendesign<\/a>) specimen for her lovely\u00a0<a href=\"http:\/\/leksendesign.com\/portfolio\/type-design\/\">Bemis<\/a>\u00a0typeface (which became <a href=\"http:\/\/www.myfonts.com\/fonts\/leksen-design\/bemis\/\">available on MyFonts<\/a> during the conference) was in the same area of the <a href=\"http:\/\/www.typesociety.org\/typegallery\/\">TypeGallery<\/a> as my 1403 Vintage Mono Pro type specimen. Andrea participated in the Type Crit last year. Rumor has it that <a href=\"http:\/\/blog.fontshop.com\/author\/davidsudweeks\/\">David Sudweeks<\/a>&#8216; (@<a href=\"https:\/\/twitter.com\/nondescriptes\">nondescriptes<\/a>) lovely text typeface may be released later this year! He also participated in last year&#8217;s Type Crit. It was great to see\u00a0<a href=\"http:\/\/www.typedesign.com\/about.html\">Jim Parkinson<\/a>&#8216;s fabulous paintings in the gallery.<\/p>\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-instagram\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/dS9P38JOFt\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:640px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/dS9P38JOFt\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/dS9P38JOFt\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Jeff Kellem (@composerjk)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div><\/div>\n<p>Throughout the conference, a number of ideas for future talks and workshops popped up. I remember ideas from discussions with <a href=\"http:\/\/hindirinny.com\/\">Erin McLaughlin<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/HindiRinny\">HindiRinny<\/a>), <a href=\"http:\/\/arabictype.com\/\">Nadine Chahine<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/arabictype\">arabictype<\/a>), <a href=\"http:\/\/djr.com\/\">David Jonathan Ross<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/djrrb\">djrrb<\/a>), at least. I hope to encourage others to propose some of those ideas and may develop some on my own. Perhaps I&#8217;ll write about those, another time.<\/p>\n<p>Also, I had some nice discussions on technology ideas that align with my interests, other projects, and past experience. Rob Saunders (@<a href=\"https:\/\/twitter.com\/LettArc\">LettArc<\/a>) and I talked about book scanning with a desire to capture texture and page spreads, beyond just the content. Rob writes more about his <a href=\"http:\/\/letterformarchive.org\/new-blog\/2013\/9\/16\/raisons-detre\">raisons d&#8217;\u00eatre<\/a>\u00a0for the\u00a0<a href=\"http:\/\/letterformarchive.org\/\">Letterform Archive<\/a>\u00a0with more on the imaging aspects\u00a0. Places like Brewster&#8217;s <a href=\"http:\/\/archive.org\/scanning\">Internet Archive book scanning<\/a>\u00a0and <a href=\"http:\/\/www.google.com\/googlebooks\/about\/history.html\">Google Books<\/a> &amp; their <a href=\"https:\/\/code.google.com\/p\/linear-book-scanner\/\">linear book scanner<\/a>\u00a0focus mainly on capturing content. I&#8217;m curious to see what other tools may exist for capturing texture detail, what tools are missing and should be created. There&#8217;s the related post by Robert MacLean (@<a href=\"https:\/\/twitter.com\/Bob_MacLean\">Bob_MacLean<\/a>) of the <a href=\"http:\/\/www.gla.ac.uk\/services\/specialcollections\/\">University of Glasgow Library<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/GUspcoll\">GUspcoll<\/a>) on <a href=\"http:\/\/universityofglasgowlibrary.wordpress.com\/2013\/09\/12\/digitising-the-topography-of-typography\/\"><em>Digitising the topography of typography<\/em><\/a>. [Hat tip to <a href=\"http:\/\/lorp.org\">Laurence Penney<\/a> (@<a href=\"https:\/\/twitter.com\/lorp\">lorp<\/a>).]\n<p>Thanks to David Lemon (@<a href=\"https:\/\/twitter.com\/typenerd1\">typenerd1<\/a>) of @<a href=\"https:\/\/twitter.com\/AdobeType\">AdobeType<\/a>\u00a0for reminding me to mention a couple other projects. Rob had mentioned E. M. Ginger&#8217;s <a href=\"http:\/\/42-line.com\">42-line<\/a>\u00a0in Oakland, California as doing the best book scanning work. During a steering committee meeting for a conference I help organize, Tom Duff (@<a href=\"https:\/\/twitter.com\/tomduff\">tomduff<\/a>) had remembered <a href=\"http:\/\/www.adobe.com\/leaders\/board-directors\/john-warnock.html\">John Warnock<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/jewarnock\">jewarnock<\/a>)\u00a0<a href=\"http:\/\/www.octavo.com\">Octavo project<\/a> and forwarded <a href=\"http:\/\/www.abebooks.com\/blog\/index.php\/2010\/01\/21\/interview-with-john-warnock-of-rare-book-room\/\">an interview<\/a> mentioning John&#8217;s\u00a0<a href=\"http:\/\/www.rarebookroom.org\">Rare Book Room<\/a>. Here&#8217;s a post about <a href=\"http:\/\/www.thebookdesigner.com\/2010\/01\/e-m-ginger-on-digitizing-the-art-of-the-book\/\">E. M. Ginger&#8217;s work on digitizing the art of the book<\/a>.<\/p>\n<p>I&#8217;m interested to see\u00a0<a href=\"http:\/\/kupferschrift.de\/\">Indra Kupferschmid<\/a> (@<a href=\"https:\/\/twitter.com\/kupfers\">kupfers<\/a>) and\u00a0<a href=\"http:\/\/nicksherman.com\/\">Nick Sherman<\/a> (@<a href=\"https:\/\/twitter.com\/nicksherman\">nicksherman<\/a>)&#8217;s <a href=\"http:\/\/typerecord.com\/\">Type Record<\/a>; they&#8217;ll\u00a0talk about it at <a href=\"http:\/\/www.atypi.org\/atypi-amsterdam-2013\/\">ATypI Amsterdam 2013<\/a> (@<a href=\"https:\/\/twitter.com\/ATypI\">ATypI<\/a>) on <a href=\"http:\/\/www.atypi.org\/atypi-amsterdam-2013\/amsterdam-programme\/activity?a=326\">Sunday, 13 October 2013, 10:50am<\/a>. It relates to some other projects I&#8217;ve had in mind for curated archive tools (both general and dance history specific). The dance history side came from discussions with other dance historians. Nick and I talked briefly about that.<\/p>\n<p>It was great to reconnect with folk and meet others. Some\u00a0I had the pleasure of chatting with, at times, included <a href=\"http:\/\/www.tiro.com\/contact.html\">Ross Mills<\/a>,\u00a0<a href=\"http:\/\/www.delvefonts.com\">Delve Withrington<\/a> (@<a href=\"https:\/\/twitter.com\/delvew\">delvew<\/a>), <a href=\"http:\/\/lauraworthingtontype.com\">Laura Worthington<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/L_Worthington\">L_Worthington<\/a>), <a href=\"http:\/\/splorp.com\/\">Grant Hutchinson<\/a> (@<a href=\"https:\/\/twitter.com\/splorp\">splorp<\/a>), <a href=\"http:\/\/blog.fontshop.com\/author\/davidsudweeks\/\">David Sudweeks<\/a> (@<a href=\"https:\/\/twitter.com\/nondescriptes\">nondescriptes<\/a>),\u00a0<a href=\"http:\/\/blogs.adobe.com\/typblography\/2011\/03\/expanding-the-character-set.html\">Steve Ross<\/a> (@<a href=\"https:\/\/twitter.com\/steveross1956\">steveross1956<\/a>), Antonio Cavedoni (@<a href=\"https:\/\/twitter.com\/verbosus\">verbosus<\/a>),\u00a0<a href=\"http:\/\/emilylimedesign.com\">Emily Connors<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/emilylimedesign\">emilylimedesign<\/a>), <a href=\"http:\/\/lauraserra.org\">Laura Serra<\/a> (@<a href=\"https:\/\/twitter.com\/laureola\">laureola<\/a>), <a href=\"http:\/\/erinellis.com\">Erin Ellis<\/a> (@<a href=\"https:\/\/twitter.com\/rrrellis\">rrrellis<\/a>),\u00a0<a href=\"http:\/\/www.ankatankdesign.com\">Priyanka Batra<\/a> (@<a href=\"https:\/\/twitter.com\/ankatank\">ankatank<\/a>), <a href=\"http:\/\/www.isabelurbina.com\">Isabel Urbina<\/a> (@<a href=\"https:\/\/twitter.com\/bellera\">bellera<\/a>), Lizy Gershenzon (@<a href=\"https:\/\/twitter.com\/lizyjoy\">lizyjoy<\/a>) &amp; Travis Kochel (@<a href=\"https:\/\/twitter.com\/traviskochel\">traviskochel<\/a>) of <a href=\"http:\/\/scribbletone.com\/\">Scribbletone<\/a> (@<a href=\"https:\/\/twitter.com\/scribbletone\">scribbletone<\/a>), <a href=\"http:\/\/seankingdesign.com\/\">Sean King<\/a>, <a href=\"http:\/\/www.typecon.com\/speakers\/kalapi-gajjar-bordawekar\">Kalapi Gajjar<\/a>, Michael Ibach of <a href=\"http:\/\/fontbros.com\/\">FontBros<\/a> (@<a href=\"https:\/\/twitter.com\/fontbros\">fontbros<\/a>), <a href=\"http:\/\/www.borgeslettering.com\">Charles Borges de Oliveira<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/borgeslettering\">borgeslettering<\/a>), <a href=\"http:\/\/letteringartstudio.com\">Debi Sementelli<\/a> (@<a href=\"https:\/\/twitter.com\/Letterheadgirl\">Letterheadgirl<\/a>), <a href=\"http:\/\/www.lilasymons.com\">Lila Symons<\/a> (@<a href=\"https:\/\/twitter.com\/daycalligraphy\">daycalligraphy<\/a>), <a href=\"http:\/\/remychwae.com\">Remy Chwae<\/a> (@<a href=\"https:\/\/twitter.com\/remychwae\">remychwae<\/a>),\u00a0<a href=\"http:\/\/theresadelacruz.com\">Theresa dela Cruz<\/a> (@<a href=\"https:\/\/twitter.com\/theresadelacruz\">theresadelacruz<\/a>), <a href=\"http:\/\/josephalessio.com\">Joseph Alessio<\/a> (@<a href=\"https:\/\/twitter.com\/alessio_joseph\">alessio_joseph<\/a>), <a href=\"http:\/\/jamestedmondson.com\">James Edmondson<\/a> (@<a href=\"https:\/\/twitter.com\/jamestedmondson\">jamestedmondson<\/a>)\u00a0<a href=\"http:\/\/jtodddesign.com\">James Todd<\/a> (@<a href=\"https:\/\/twitter.com\/JamesToddDesign\">JamesToddDesign<\/a>),\u00a0<a href=\"http:\/\/shootthemoonproductions.com\">JP Porter<\/a>\u00a0(who ran all the great A\/V for the conference),\u00a0and many, many others. The longer I spend working on this post, the more nice conversations I recall having.<\/p>\n<p>I only played piano for a little bit. Later, I quite enjoyed hearing both Andrea Leksen and <a href=\"https:\/\/sites.google.com\/site\/zonablujazz\/\">Jim Wasco<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/JimWasco\">JimWasco<\/a>)\u00a0play. Andrea played various old songs with others joining in on singing. There was a very good, former punk singer whose name I&#8217;m forgetting right now. Jim played some fabulous jazz.<\/p>\n<p>Alas, I didn&#8217;t get around to playing with Fontographer 4.0 running on a Mac SE\/30 that was in the TypeCon store. Thanks to <a href=\"http:\/\/petemccracken.com\">Pete McCracken<\/a>\u00a0for setting it up. Here&#8217;s a link to a <a href=\"http:\/\/www.flickr.com\/photos\/nicksherman\/9584324307\/\">photo of the screen<\/a> from @<a href=\"https:\/\/twitter.com\/nicksherman\">nicksherman<\/a>.<\/p>\n<p>I bought a few things. Two books not shown in the instagram photo are Doyald Young&#8217;s <a style=\"font-style: italic;\" href=\"http:\/\/www.amazon.com\/gp\/product\/0974338311\/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0974338311&amp;linkCode=as2&amp;tag=slanhall0b-20\">The Art of the Letter<\/a>\u00a0and <em>The Modification of Letterforms<\/em>\u00a0by Stanley Hess. Hat tip to <a href=\"http:\/\/jessicahische.is\/\">Jessica Hische<\/a> (@<a href=\"https:\/\/twitter.com\/jessicahische\">jessicahische<\/a>) for posting about the <a href=\"http:\/\/www.lynda.com\/Documentaries-tutorials\/doyaldyounglogotypedesigner\/62371-2.html\">Doyald Young documentary<\/a>. The @<a href=\"https:\/\/twitter.com\/feltandwire\">feltandwire<\/a>\u00a0post\u00a0<a href=\"http:\/\/www.mohawkconnects.com\/feltandwire\/2011\/03\/11\/doyald-young-appreciations-from-his-friends\/\"><em>Doyald Young: Appreciations from his friends<\/em><\/a> is also a nice read. It was nice to see some of the old Interrobang issues being available. I&#8217;d been wanting to read <a href=\"http:\/\/www.typegirl.com\">Tiffany Wardle<\/a>&#8216;s (@<a href=\"https:\/\/twitter.com\/typegirl\">typegirl<\/a>) article <em>The Case for a User Friendly EULA<\/em>\u00a0in Interrobang 2 since I&#8217;m figuring out details for new license agreements. There are some other <a href=\"http:\/\/typophile.com\/node\/13840\">EULA info links on typophile<\/a>.<\/p>\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-instagram\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/dkMx1_pOHE\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:640px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/dkMx1_pOHE\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/dkMx1_pOHE\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Jeff Kellem (@composerjk)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div><\/div>\n<p><a name=\"links\"><\/a>Here are some other posts about TypeCon 2013:<\/p>\n<ul>\n<li><a href=\"http:\/\/eventifier.com\/event\/typecon13\/\">Eventifier archive of tweets, photo, and video<\/a> posted to twitter #typecon, @typecon.<\/li>\n<li><a href=\"http:\/\/www.amypapaelias.com\">Amy Papaelias<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/fontnerd\">fontnerd<\/a>) gave some <a href=\"http:\/\/typophile.com\/node\/105632\">good unsolicited advice<\/a> on attending TypeCon.<\/li>\n<li><a href=\"http:\/\/nothingmajor.com\/journal\/654-typecon-interview-preview\/\">Nothingmajor.com&#8217;s interview\/preview<\/a> of TypeCon with Grant Hutchinson (@<a href=\"https:\/\/twitter.com\/splorp\">splorp<\/a>).<\/li>\n<li>Dave Crossland&#8217;s (@<a href=\"https:\/\/twitter.com\/davelab6\">davelab6<\/a>)\u00a0<a href=\"http:\/\/understandingfonts.com\/blog\/2013\/08\/typecon-portland\/\">liveblog of TypeCon 2013 at Understanding Fonts.<\/a><\/li>\n<li>Allan Haley of Monotype asks for <a href=\"http:\/\/www.monotype.com\/blog\/Type-Crit-at-TypeCon-2013\">TypeCrit attendees to share their story<\/a>.<\/li>\n<li>Michelle Furedy&#8217;s (@<a href=\"https:\/\/twitter.com\/m_furedy\">m_furedy<\/a>)\u00a0<a href=\"http:\/\/www.michellefuredy.com\/typecon-2013-portland-highlights\/\">TypeCon 2013: Portland Highlights<\/a>.<\/li>\n<li>Angie van Broekhuizen&#8217;s (@<a href=\"https:\/\/twitter.com\/angievanb\">angievanb<\/a>) review, titled\u00a0<em><a href=\"http:\/\/angenious.com\/typecon-review\/\">Ampersands, ligatures &amp; kerning, oh my!<\/a><\/em><\/li>\n<li><a href=\"http:\/\/www.typecon.com\/speakers\/tricia-treacy\">Tricia Treacy<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/pointedpress\">pointedpress<\/a>) shared <a href=\"http:\/\/triciatreacy.com\/events_conferences\/typecon-portland\/\">some photos<\/a> from the\u00a0<a href=\"http:\/\/www.typecon.com\/workshops#letterpress-print-bodoni\"><em>Letterpress Print Workshop: Investigating Bodoni in Text &amp; Image<\/em><\/a>\u00a0workshop she taught with <a href=\"http:\/\/www.typecon.com\/speakers\/barbara-tetenbaum\">Barbara Tetenbaum<\/a>.<\/li>\n<li>An <a href=\"http:\/\/myfonts.tumblr.com\/post\/59772501867\/illustrator-spotlight-katie-campbell-typecon\">interview<\/a>\u00a0with <a href=\"http:\/\/www.campkatie.com\">Katie Campbell<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/campkatie\">campkatie<\/a>), creator of the <a href=\"http:\/\/myfonts.com\/\">MyFonts<\/a> pangram illustration t-shirts they gave out (forgot to pick up one, myself).<\/li>\n<li><a href=\"http:\/\/ianlynam.com\/news-press\/08-29-2013\/\">Photos<\/a> from the <a href=\"http:\/\/www.typecon.com\/archives\/3279\">Letterfirm exhibit<\/a>\u00a0curated by <a href=\"http:\/\/ianlynam.com\">Ian Lynam<\/a>. <a href=\"http:\/\/wordshape.com\/the-letterfirm-reader\/\">The Letterfirm Reader<\/a>\u00a0booklet was included in the TypeCon goodie bag.<\/li>\n<li>Want a different <a href=\"http:\/\/blog.fairgoods.com\/maker-stories\/2013\/8\/20\/typecon-tshirts\">Fairgoods t-shirt<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/wearefairgoods\">wearefairgoods<\/a>) than what was given to you? Save 40% until the end of 2013. Designs by Ale Paul, Corey Helms, Neil Summerour, and Grant Hutchinson.<\/li>\n<li><a href=\"http:\/\/andrecasey.com\">Andr\u00e9 Casey<\/a> (@<a href=\"https:\/\/twitter.com\/onduhray\">onduhray<\/a>) finds a little reminder that <a href=\"http:\/\/andrecasey.com\/2013\/08\/24\/its-never-too-late-to-do-what-you-love\/\"><em>It&#8217;s never too late to do what you love<\/em><\/a>\u00a0while <a href=\"http:\/\/blog.modernmechanix.com\/type-by-goudy\/\">reading about Frederic W. Goudy<\/a>.<\/li>\n<li><a href=\"http:\/\/beccamakingfaces.com\">Becca Hirsbrunner<\/a> writes about <a href=\"http:\/\/unseencharacter.com\/2013\/08\/30\/typecon-2013-portl\/\">her experience<\/a> at TypeCon.<\/li>\n<li>From\u00a0<a href=\"http:\/\/www.gdc.net\">The Society of Graphic Designer&#8217;s of Canada<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/gdcnational\">gdcnational<\/a>)\u00a0<a href=\"http:\/\/www.gdc.net\/newsletter\/index\/issues\/495.php\">September 2013 newsletter<\/a>:\n<ul>\n<li>Karin Jager (@<a href=\"https:\/\/twitter.com\/Design__ed\">Design__ed<\/a>) of\u00a0<a href=\"http:\/\/blogs.ufv.ca\/graphicdesign\/\">University of the Frasier Valley Graphic + Digital Design Program<\/a>\u00a0&amp; VP Education of GDC\u00a0wrote about the forum in\u00a0<a style=\"font-style: italic;\" href=\"http:\/\/www.gdc.net\/newsletter\/index\/articles\/1952.php\">TypeCon&#8217;s Educators Day<\/a>.<\/li>\n<li><a href=\"http:\/\/www.nancywudesign.com\">Nancy Wu<\/a>&#8216;s write-up on\u00a0<a href=\"http:\/\/www.gdc.net\/newsletter\/index\/articles\/1951.php\"><em>TypeCon Portl&amp;<\/em><\/a>.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div>Presentations \/ Slide decks:<\/div>\n<div>\n<ul>\n<li><a style=\"font-style: italic;\" href=\"http:\/\/letterformarchive.org\/dwiggins\">The Work of W. A. Dwiggins<\/a>\u00a0by Rob Saunders (@<a href=\"https:\/\/twitter.com\/LettArc\">LettArc<\/a>).<\/li>\n<li><a href=\"https:\/\/speakerdeck.com\/erikvorhes\/accessibilitype-typecon2013-portl-and\"><em>Accessibilitype!<\/em><\/a> by <a href=\"http:\/\/erik.vorh.es\">Erik Vorhes<\/a> (@<a href=\"https:\/\/twitter.com\/erikvorhes\">erikvorhes<\/a>).<\/li>\n<li><a style=\"font-style: italic;\" href=\"http:\/\/djr.com\/backasswards\/\">Backasswards<\/a>\u00a0by <a href=\"http:\/\/djr.com\/\">David Ross<\/a> (@<a href=\"https:\/\/twitter.com\/djrrb\">djrrb<\/a>). PDF on Slideshare links on his site.<\/li>\n<\/ul>\n<\/div>\n<p>Photos:\u00a0<a href=\"http:\/\/www.flickr.com\/groups\/typecon\/pool\/\">typecon flickr pool<\/a>\u00a0and\u00a0<a href=\"http:\/\/typecon.tumblr.com\">TypeCon tumblr<\/a>. Also search for <a href=\"https:\/\/twitter.com\/search?q=typecon2013&amp;src=typd&amp;mode=realtime\">#typecon2013<\/a> or just <a href=\"https:\/\/twitter.com\/search?q=typecon&amp;mode=realtime&amp;src=typd\">typecon<\/a> on twitter and instagram.<\/p>\n<p>My TypeCon trip reports: <ul class=\"display-posts-listing\"><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2025\/07\/29\/collins-music-typeface-for-the-sacred-harp-2025-edition-songbook\/\">Collins music typeface for \u201cThe Sacred Harp: 2025 Edition\u201d songbook<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2019\/04\/10\/synthplex-2019-burbank-trip-report\/\">Synthplex 2019 Burbank Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2019\/02\/17\/typecon-2018-conference-trip-report\/\">TypeCon 2018 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2018\/03\/22\/typecon-2017-conference-trip-report\/\">TypeCon 2017 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2016\/02\/10\/typecon-2015-conference-trip-report\/\">TypeCon 2015 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2014\/09\/12\/typecon-2014-conference-trip-report\/\">TypeCon 2014 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2013\/09\/07\/typecon-2013-conference-trip-report\/\">TypeCon 2013 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\">TypeCon 2012 Conference Trip Report<\/a><\/li><\/ul>\n<p>Please let me know if any corrections are needed. I look forward to seeing folk at future type gatherings. If I can find space in the peninsula\/south bay of the bay area, California (and people would be interested), I may try to organize type get-togethers. Probably near Mountain View, CA.<\/p>\n<p>\u2014Jeff Kellem (@<a href=\"https:\/\/twitter.com\/composerjk\">composerjk<\/a>\u00a0\/ @<a href=\"https:\/\/twitter.com\/slantedhall\">slantedhall<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another great type design conference happened in Portland, Oregon, August 2013: TypeCon 2013: portl&amp;. I ended up not taking as many notes, this year, so this trip report may be less extensive than the TypeCon 2012 trip report. The weekend prior to TypeCon, I was lucky enough to visit a good friend on the coast. A nice way to prepare. &#8230; <\/p>\n<div><a href=\"https:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":948,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4,7,10,19,25,26,28],"tags":[45,48,51,61,96,100],"class_list":["post-206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1403-vintage-mono-pro","category-conference","category-fonts-in-use","category-presentation","category-tripreport","category-typecon","category-typecon2013","tag-computer-history","tag-design","tag-fonts","tag-ibm-1403","tag-typeface","tag-typography"],"acf":[],"jetpack_featured_media_url":"https:\/\/slantedhall.com\/blog\/wp-content\/uploads\/2013\/09\/image.jpeg","_links":{"self":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":1,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/206\/revisions"}],"predecessor-version":[{"id":946,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/206\/revisions\/946"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/media\/948"}],"wp:attachment":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/media?parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/categories?post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/tags?post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}