{"id":784,"date":"2019-02-17T19:55:00","date_gmt":"2019-02-18T03:55:00","guid":{"rendered":"https:\/\/slantedhall.wordpress.com\/?p=784"},"modified":"2025-08-12T22:23:57","modified_gmt":"2025-08-13T05:23:57","slug":"typecon-2018-conference-trip-report","status":"publish","type":"post","link":"https:\/\/slantedhall.com\/blog\/2019\/02\/17\/typecon-2018-conference-trip-report\/","title":{"rendered":"TypeCon 2018 Conference Trip Report"},"content":{"rendered":"[ <strong>The <a href=\"http:\/\/www.typecon.com\/archives\/7069\">Call for Papers<\/a>\u00a0is out for <a href=\"http:\/\/www.typecon.com\/\">TypeCon 2019<\/a><\/strong>, 28 August\u20131 September 2019, in Minneapolis, MN. Submission <strong>deadline has been extended to Saturday, 16 March 2019, 11:59pm EST<\/strong>. Read the <a href=\"http:\/\/www.typecon.com\/download\/typecon_proposal_tips_2019.pdf\">Submission Guidelines<\/a>\u00a0[PDF] for useful tips. ]\n<p>The 20th anniversary <a href=\"http:\/\/typecon.com\/\">TypeCon<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/typecon\">typecon<\/a>\u00a0\/ @<a href=\"https:\/\/twitter.com\/typesociety\">typesociety<\/a>)\u00a0was held in Portland, Oregon, USA, 1\u20135 August 2018 at the Hilton Portland Downtown. I had to miss parts of Saturday and Sunday, including most of the evening socials, due to Crohn&#8217;s related issues. The past few months have been hectic, so the write-up is bit less detailed. I just uploaded <a href=\"https:\/\/flic.kr\/s\/aHsmyA7Tk4\">photos of the conference<\/a> and will try to add notes in due time.<\/p>\n<blockquote>\n<p style=\"text-align: right;\">Jump to:\u00a0<a href=\"#wednesday\">Wednesday<\/a>,\u00a0<a href=\"#thursday\">Thursday<\/a>,\u00a0<a href=\"#friday\">Friday<\/a>,\u00a0<a href=\"#saturday\">Saturday<\/a>,\u00a0<a href=\"#sunday\">Sunday<\/a>,\u00a0<a href=\"#typecrit\">Type Crit<\/a>,<br \/>\n<a href=\"#typography-award\">Louise Fili &amp; Carol Wahler SOTA Award<\/a>,<br \/>\n<a href=\"#catalyst-award\">Frida Medrano\u00a0SOTA Catalyst Award<\/a>,<br \/>\n<a href=\"#links\">Links (write-ups, presentations, photos)<\/a>,\u00a0<a href=\"#feedback\">Feedback<\/a>.<\/p>\n<\/blockquote>\n<p><strong>Tuesday: Driving to TypeCon &amp; an unexpected singing, 27 August 2018 <\/strong><\/p>\n<p><em>Unexpectedly, I sang in a barbershop chorus rehearsal.<\/em> After a long, all-day drive, I arrived at a friend\u2019s place just south of Portland on Tuesday evening, just in time to head up to Portland with him before his <a href=\"http:\/\/www.bridgetownsound.org\">Bridge Town Sound<\/a> men\u2019s barbershop chorus rehearsal. I wanted to hear a bit of the rehearsal before heading back to the hotel to rest. They plopped a binder in front of me. But, I was just planning to sit and listen for bit, I responded. It had been a good 25 years since I sang regularly, so my vocal cords were out of shape. I decided to join for just a little while, but ended up staying for the entire rehearsal. When I sang in a mixed choir or solo, my role was baritone\/bass. John sings baritone, but in a men&#8217;s barbershop chorus, the baritone part is like the alto harmony of a mixed chorus. I wanted to hear John sing, again, so I went further out of my comfort zone and sang in his section. I can mimic, quickly, and read music, so it worked out well though I had never sung barbershop. And was quite fun to just jump in. If I lived in Portland, I suspect I&#8217;d consider auditioning to join them. A good group of folk.<\/p>\n<p><strong><a name=\"wednesday\"><\/a>Wednesday: Workshops, 28 August 2018<\/strong><\/p>\n<p>On Wednesday, I caught up with Georg Seifert (@<a href=\"https:\/\/twitter.com\/schriftgestalt\">schriftgestalt<\/a>) &amp; Rainer Scheichelbauer (@<a href=\"https:\/\/twitter.com\/mekkablue\">mekkablue<\/a>) of <a href=\"https:\/\/glyphsapp.com\/\">Glyphs<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/glyphsapp\">glyphsapp<\/a>) for lunch at <a href=\"https:\/\/hotlipspizza.com\/\">HOTLIPS Pizza<\/a> (@<a href=\"https:\/\/twitter.com\/HOTLIPSpizza\">HOTLIPSpizza<\/a>)\u2014good pizza\u2014near the <a href=\"https:\/\/pnca.edu\/\">Pacific Northwest College of Art<\/a> (@<a href=\"https:\/\/twitter.com\/PNCA\">PNCA<\/a>), where the workshops were being held.<\/p>\n<p>Then, I sat in to help out with their workshop <em><a href=\"http:\/\/www.typecon.com\/conferences\/typecon2018\/workshops#font-animation\">Create a Variable Font Animation in Glyphs<\/a>.<\/em> If you have any interest in variable fonts, consider watching his Sunday talk\u00a0<em>Yes, but can Variable Fonts do this?<\/em> [<a href=\"https:\/\/www.youtube.com\/watch?v=ZM1vSHzD3HI\">video<\/a>]\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-instagram\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Bl9FsdPDYbX\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/Bl9FsdPDYbX\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/Bl9FsdPDYbX\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Jeff Kellem (@composerjk)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div><\/div>\n<p>I would have loved to have attended the Thursday workshops, such as\u00a0<a href=\"https:\/\/meirsadan.com\/\">Meir Sadan<\/a>\u2019s (@<a href=\"https:\/\/twitter.com\/meirsadan\">meirsadan<\/a>) workshop on <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2018\/workshops#hebrew-writing\"><em>Hebrew Writing<\/em><\/a>\u00a0(check out his <a href=\"https:\/\/hebrewtype.club\">Hebrew Type Club<\/a>\u00a0for useful resources and workshops) and <a href=\"http:\/\/www.sajatypeworks.com\">Aaron Bell<\/a>\u2019s (@<a href=\"https:\/\/twitter.com\/aaronbell\">aaronbell<\/a>) workshop\u00a0<a href=\"http:\/\/www.typecon.com\/conferences\/typecon2018\/workshops#hangul-design\"><em>\u3131 to \u314e: An Intro to Hangul Design<\/em><\/a>, but I was already booked to attend the Type &amp; Design Education Forum.<\/p>\n<p><strong><a name=\"thursday\"><\/a>Thursday: <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2017\/education\">Type &amp; Design Education Forum<\/a>, 29 August 2018<\/strong><\/p>\n<!-- Invalid tweet id -->\n<p><a href=\"http:\/\/www.typesociety.org\">SOTA<\/a> (@<a href=\"https:\/\/twitter.com\/typesociety\">typesociety<\/a>) board member Sharon Olga opened the Education Forum. Patrick Gosnell (@<a href=\"https:\/\/twitter.com\/Patrick_Gosnell\">Patrick_Gosnell<\/a>) talked about the lasting influence of Claudia R\u00f6schmann (@<a href=\"https:\/\/twitter.com\/claudsdesign\">claudsdesign<\/a>) followed by Matthew Edgar showing parts of Ken Garland&#8217;s life and influence in <em>Structure &amp; Substance<\/em>. Ren\u00e9e Seward shared about her research in addressing literacy through typography and visual design (@<a href=\"https:\/\/twitter.com\/SeeWordReading\">SeeWordReading<\/a>).<\/p>\n<!-- Invalid tweet id -->\n<p>Before lunch, Lauren Meranda (@<a href=\"https:\/\/twitter.com\/LAMeranda\">LAMeranda<\/a>), a professor at Judson University, talked about\u00a0<em>Coaxing a Thesis Topic\u00a0<\/em>with an \u201caim to empower them to <strong>create culture, not just mimic it.<\/strong>\u201d<\/p>\n<p>Oswin Tickler (@<a href=\"https:\/\/twitter.com\/weareSMALLFURY\">weareSMALLFURY<\/a>) &amp; Briar Levit (@<a href=\"https:\/\/twitter.com\/BriarMade\">BriarMade<\/a>) showed their exploration of collaboration between graphic design students at London College of Communication (UK) and Portland State University (USA) in\u00a0<em>Similarly Different: Cultures of Collaboration<\/em>.<\/p>\n<p>Yvonne Cao of TCU (@<a href=\"https:\/\/twitter.com\/TCU\">TCU<\/a>) showed her work in helping students understand the issues and thinking that goes into branding across cultures in\u00a0<em>West Meets East: Exploration in Cross-cultural Branding.<\/em><\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/46406525634\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7865\/46406525634_9d26aa0dfe_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p>Jan Ballard (@<a href=\"https:\/\/twitter.com\/ProfessorJan\">ProfessorJan<\/a>) of TCU (@<a href=\"https:\/\/twitter.com\/TCU\">TCU<\/a>) show projects in <em>Rebanding Small Businesses in the Face of Community Gentrification<\/em>\u00a0that created new branding that respected the duality of cultures each represented and also helped the students become more \u201cactive members of their surrounding community.\u201d<\/p>\n<p>Annabelle Gould of UW Seattle showed work and projects from her class <em>Combining Type + Image \/ Interpreting Constitutional Amendments,<\/em> asking students to design a poster interpreting one of the U.S. Consitutional Amendments to \u201cremind people of its original purpose and importance, raise awareness about a particular issue related to the amendment, or call for a change to the amendment itself.\u201d Intended audience was fellow students on campus.<\/p>\n<p>Annabelle Gould also talked about the <a href=\"http:\/\/teachingresource.aiga.org\">AIGA Design Teaching Resource<\/a>, \u201ca peer-populated platform for educators to share assignments, teaching materials, outcomes, and project reflections.\u201d A project of the <a href=\"https:\/\/educators.aiga.org\">AIGA Design Educators Community<\/a> (@<a href=\"https:\/\/twitter.com\/aigadec\">aigadec<\/a>).<\/p>\n<p><a href=\"http:\/\/grahambradley.com\/\">Graham Bradley<\/a> (@<a href=\"https:\/\/twitter.com\/grahamwbradley\">grahamwbradley<\/a>) shared his experience incorporating\u00a0<em>Testing in Type Design Education<\/em> as part of his typeface design class at Type@Cooper West\u2014now, <a href=\"https:\/\/letterformarchive.org\/education\/\">Type West<\/a>\u00a0at the <a href=\"https:\/\/letterformarchive.org\">Letterform Archive<\/a> (@<a href=\"https:\/\/twitter.com\/Lett_Arc\">Lett_Arc<\/a>) in San Francisco, California, USA. \u201cPython scripts were written to create the visuals.\u201d<\/p>\n<p><strong><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/47077747582\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7853\/47077747582_2291e90d44_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/strong><\/p>\n<p>In\u00a0<em>From Characters to Page Systems in Upper &amp; lower case,\u00a0<\/em>Michael Stinson of <a href=\"http:\/\/type-ed.com\/\">TypeEd<\/a> (@<a href=\"https:\/\/twitter.com\/TypeEd\">TypeEd<\/a>) &amp; <a href=\"http:\/\/ematwood.space\/\">Emily Atwood<\/a> (@<a href=\"https:\/\/twitter.com\/_therealemily\">_therealemily<\/a>) tasked their students to redesign a\u00a0<a href=\"https:\/\/eyeondesign.aiga.org\/design-history-101-herb-lubalins-ulc-the-first-magazine-for-typeface-lovers\/\"><em>U&amp;lc<\/em> magazine<\/a>\u00a0article in a way \u201cthat reflects their generation.\u201d <a href=\"http:\/\/blog.fonts.com\/category\/ulc\/\">Scans of the old <em>U&amp;lc<\/em> issues<\/a>.<\/p>\n<p><a href=\"http:\/\/meaghand.com\">Meaghan Dee<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/meagdee\">meagdee<\/a>) talked about\u00a0<em>The Role of Hand-Lettering in a Contemporary Design Curriculum<\/em> that is \u201dpivoting toward interaction and web design\u201d in the Visual Communication Design department at Virginia Tech.<\/p>\n<p>Taekyeom Lee (@<a href=\"https:\/\/twitter.com\/taekyeom\">taekyeom<\/a>) of <a href=\"http:\/\/www.appstate.edu\/\">Appalachian State University<\/a>\u00a0in Boone, North Carolina, USA showed some of hte work of his students creating 3D modular type, type furniture, and interactive environmental graphics in\u00a0<em>Typography with Digital Fabrication.<\/em><\/p>\n<p>Richard Kegler (@<a href=\"https:\/\/twitter.com\/rkegler\">rkegler<\/a>) of <a href=\"https:\/\/p22.com\">P22 Type Foundry<\/a> (@<a href=\"https:\/\/twitter.com\/P22TypeFoundry\">P22TypeFoundry<\/a>) talked about the workshops with team projects\u00a0<em>Building Modular Alphabets on the Press<\/em> using the <a href=\"http:\/\/www.p22analog.com\/projects#\/p22blox\">P22 Blox<\/a> system they developed.<\/p>\n<p><strong><a name=\"keynote\"><\/a>Thursday: Keynote: Gemma O\u2019Brien<\/strong><\/p>\n<p>Australian lettering artist and illustrator <a href=\"http:\/\/www.gemmaobrien.com\/\">Gemma O\u2019Brien<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/mrseaves\">mrseaves<\/a>) talked about her history and experience, walked us through some of her portfolio and demonstrated live some of the techniques she uses. Fun and interesting.<\/p>\n<p>I was able to drop by the Future Fonts (@<a href=\"https:\/\/twitter.com\/futurefonts\">futurefonts<\/a>) and Graphc Means afterparty at Outlet. Good to see some friends and good work of Portland\u2019s creative community. In addition to an old working Apple Macintosh, the had my friends\u2019 <a href=\"https:\/\/www.evilmadscientist.com\">Evil Mad Scientist Laboratories<\/a> (@<a href=\"https:\/\/twitter.com\/EMSL\">EMSL<\/a>) <a href=\"https:\/\/shop.evilmadscientist.com\/productsmenu\/846\">AxiDraw V3<\/a>\u00a0pen plotter set up and being used at the party.<\/p>\n<p><strong><a name=\"friday\"><\/a>Friday, 30 August 2018: <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2017\/program#friday\">Conference starts<\/a><\/strong><\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/46406472964\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7855\/46406472964_b5a41bc74a_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"http:\/\/lilasymons.com\/\">Lila Symons<\/a>\u00a0opened the main program with\u00a0<em><a href=\"https:\/\/www.instagram.com\/explore\/tags\/fontsmadebywomen\/\">#FontsMadeByWomen<\/a>: A Look Into the Typefaces Created and Developed by Women at Hallmark,<\/em> showcasing some of the wonderful women designers throughout the history of Hallmark and sharing how collaborations with the other female artists and makers \u201chave inspired her own lettering and font work both as a developer and lettering source.\u201d Nice to see the great work done by those illustrators, designers, and lettering artists.<\/p>\n<p>Gloria Kondrup of the <a href=\"http:\/\/hmctartcenter.org\">Hoffmitz Milken Center for Typography<\/a> (@<a href=\"https:\/\/twitter.com\/hmctartcenter\">hmctartcenter<\/a>) showed work on the exhibition\u00a0<a href=\"http:\/\/hmctartcenter.org\/exhibition\/feminae-typographic-voices-of-women-by-women\/\"><em>FEMINAE: Typographic Voices of Women, by Women<\/em><\/a> of political posters over the past 50 years from the <a href=\"http:\/\/www.politicalgraphics.org\/\">Center for the Study of Political Graphics<\/a> archives. \u201cArtists include Barbara Kruger, Sister Corita Kent, the Guerilla Girls, and others from the US, Mexico, Europe and Australia.\u201d<\/p>\n<p>In\u00a0<em>Neon: Letters from the Night Sky,<\/em> Randall Ann Homan and Al Barca (@<a href=\"https:\/\/twitter.com\/sfneonbook\">sfneonbook<\/a>) took us on a tour of neon sign survivors in the western United States. They documented San Francisco\u2019s 200+ legacy neon signs in<em>\u00a0<a href=\"https:\/\/sfneon.org\/books.html\">San Francisco Neon: Survivors and Lost Icons<\/a><\/em> (2014) and give <a href=\"https:\/\/sfneon.org\/tours.html\">neon tours<\/a>\u00a0in SF.<\/p>\n<p><a href=\"http:\/\/glennf.com\/\">Glenn Fleishman<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/glennf\">glennf<\/a>) provided a tour of two typographic archives\u2014<a href=\"https:\/\/www.sbf.org.uk\/library\/\">St Bride Library<\/a> (@<a href=\"https:\/\/twitter.com\/stbridelibrary\">stbridelibrary<\/a>) and <a href=\"http:\/\/www.typearchive.org\">The Type Archive<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/thetypearchive\">thetypearchive<\/a>)\u2014in\u00a0<em>London\u2019s Hidden Typographic Archives.<\/em><\/p>\n<p><strong>Keynote:<\/strong> <a href=\"https:\/\/www.louisefili.com\">Louise Fili<\/a> (@<a href=\"https:\/\/twitter.com\/louisefili\">louisefili<\/a>) showed some of her extensive design work and process. Lots of nice detail in her designs. I especially like how she shapes the colophon and copyright pages, in a way appropriate to the book. Check the some<a href=\"https:\/\/www.louisefili.com\/publications#yui_3_17_2_1_1550282579623_1461\"> example copyright pages<\/a> on her site.<\/p>\n<p>Bill Moran &amp; Jim Moran of the <a href=\"https:\/\/woodtype.org\">Hamilton Wood Type &amp; Printing Museum<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/hamiltonwoodtyp\">hamiltonwoodtyp<\/a>) show some of the amazing detail work done in space typically smaller than 1 inch square in\u00a0<em>Renaissance Wood Type &amp; The Grammar of Ornament.<\/em> As part of their <em>mission to preserve the art of letterpress<\/em>, they are also \u201ccutting new wood type from these historical models.\u201d<\/p>\n<p><a href=\"http:\/\/amyredmond.com\/\">Amy Redmond<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/amadapress\">amadapress<\/a>) shared her adventure\u00a0in identifying the source of type and\u00a0\u201cthe techniques she used to unearth the true identities of its family members\u201d while reviewing inventory of\u00a0<a href=\"http:\/\/www.sternandfaye.com\">Stern &amp; Faye Printers<\/a> metal house face, Futura, in\u00a0<em>Hello My Name Is\u2026 Most Likely Not Futura (A Letterpress Adventure in Metal Type Identification).<\/em><\/p>\n<p>In <em>Typographic + Printing Renegades,<\/em> <a href=\"https:\/\/nancyabernardo.net\/\">Nancy Bernardo<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/dec_debris\">dec_debris<\/a>) talked about\u00a0\u201cthe role of the early 20th century printer as designer, punchcutters such as Herman Ihlenberg, and how these early renegades have influenced the type and design landscape of today.\u201d<\/p>\n<p><a href=\"https:\/\/klim.co.nz\/\">Kris Sowersby<\/a> (@<a href=\"https:\/\/twitter.com\/klimtypefoundry\">klimtypefoundry<\/a>) explored \u201cconcepts of originality and authorship\u201d in <em>Ten Thousand Original Copies.<\/em> [<a href=\"https:\/\/www.youtube.com\/watch?v=vLL59Ula7oc\">video<\/a>]\n<div class=\"x-embed x-is-unknown x-is-unknown\"><div class=\"embed-instagram\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/BjIfffWDwVF\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:640px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BjIfffWDwVF\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/BjIfffWDwVF\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by TitlesInTranslation (@titlesintranslation)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div><\/div>\n<p><a href=\"https:\/\/www.sajatypeworks.com\/\">Aaron Bell<\/a> (@<a href=\"https:\/\/twitter.com\/sajatype\">sajatype<\/a>, @<a href=\"https:\/\/twitter.com\/aaronbell\">aaronbell<\/a>), <a href=\"http:\/\/www.magpiepaperworks.com\/\">Jess McCarty<\/a> (@<a href=\"https:\/\/twitter.com\/sectiontype\">sectiontype<\/a>, @<a href=\"https:\/\/twitter.com\/magpiepaper\">magpiepaper<\/a>), &amp; <a href=\"http:\/\/www.erinmclaughlin.com\/\">Erin McLaughlin<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/hindirinny\">hindirinny<\/a>, @<a href=\"https:\/\/twitter.com\/fontwala\">fontwala<\/a>) shared experiences about their fun project\u00a0<em><a href=\"https:\/\/www.instagram.com\/titlesintranslation\/\">Titles in Translation<\/a> <\/em>[<a href=\"https:\/\/www.youtube.com\/watch?v=WcBhJP7eRRE\">video<\/a>],\u00a0in which they \u201cembarked on a weekly challenge to translate iconic film title designs from around the globe.\u201d<\/p>\n<p>Craig Welsh explored\u00a0<em>Industrial Chimney Lettering,<\/em> incuding reviewing the historical aspects of how they were made, using archival engineering drawings, and \u201chow a digital version of industrial chimney lettering has been optically adjusted to consider the proportions of the \u2018face\u2019 (outer surface) of the bricks and mortar thickness (joints between bricks).\u201d The digital design work for the resultant <a href=\"https:\/\/jtdtype.com\/typeface\/Stack\/6\">Stack typeface<\/a> was done by\u00a0James Hultquist-Todd (@<a href=\"https:\/\/twitter.com\/jtdtype\">jtdtype<\/a>).<\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/40164982403\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7805\/40164982403_86e88777fd_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><a name=\"catalyst-award\"><\/a>The <a href=\"http:\/\/www.typesociety.org\/catalyst\/2018\/\">2018 SOTA Catalyst Award<\/a> was presented to <a href=\"http:\/\/www.fridamedrano.com\/\">Frida Medrano<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/fridaemg\">fridaemg<\/a>) of Nuevo Le\u00f3n, M\u00e9xico. Read about <a href=\"http:\/\/www.typesociety.org\/catalyst\/2018\/\">her good work<\/a> on the awards page.<\/p>\n<p><a href=\"http:\/\/jessicahische.is\/awesome\">Jessica Hische<\/a> (@<a href=\"https:\/\/twitter.com\/jessicahische\">jessicahische<\/a>) gave a special presentation to premiere the <a href=\"https:\/\/vimeo.com\/283357683\">animated trailer<\/a> for her children\u2019s book,\u00a0<em><a href=\"http:\/\/jessicahische.is\/writing\">Tomorrow I\u2019ll Be Brave<\/a>.<\/em><\/p>\n<p><strong><a name=\"saturday\"><\/a>Saturday, 31 August 2018<\/strong><\/p>\n<p><a href=\"http:\/\/www.pilcrowtype.com\/\">Paul D. Hunt<\/a> (@<a href=\"https:\/\/twitter.com\/pauldhunt\">pauldhunt<\/a>) talked about the history and \u201cevolution of writing, from hieroglyphics to our modern text+emoji hybrid system\u201d in\u00a0<em>Language, Culture, Emoji.<\/em><\/p>\n<p><a href=\"http:\/\/marycatherin.es\/\">Mary Catherine Pflug<\/a> (@<a href=\"https:\/\/twitter.com\/mcpflugie\">mcpflugie<\/a>) shared the\u00a0<em>Results of the 2018 <a href=\"http:\/\/fontpurchasinghabits.com\">Font Purchasing Habits Survey<\/a>.<\/em>\u00a0[<a href=\"https:\/\/www.youtube.com\/watch?v=hP4KRQKJjNE\">video<\/a>]\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/jean-francois-porchez\">\u00a0Jean Fran\u00e7ois Porchez<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/typofonderie\">typofonderie<\/a>) talked about his experience and work in designing custom typefaces for recognizable brands in\u00a0<em>The Visible Invisibility of Words.<\/em><\/p>\n<p>Travis Kochel (@<a href=\"https:\/\/twitter.com\/traviskochel\">traviskochel<\/a>) &amp; Lizy Gershenzon (@<a href=\"https:\/\/twitter.com\/lizyjoy\">lizyjoy<\/a>) of <a href=\"https:\/\/www.scribbletone.com\">Scribble Tone<\/a> (@<a href=\"https:\/\/twitter.com\/scribbletone\">scribbletone<\/a>) talked about what they&#8217;ve learned in creating <a href=\"https:\/\/www.futurefonts.xyz\/\">Future Fonts<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/futurefonts\">futurefonts<\/a>), exploring risk taking and learning from mistakes.<\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/47077623032\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7901\/47077623032_fb61663d87_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.typecon.com\/speakers\/qiu-yin\">Qiu Yin<\/a> &amp; <a href=\"http:\/\/www.typecon.com\/speakers\/wei-ming\">Ming Wei<\/a> of <a href=\"https:\/\/www.foundertype.com\/\">FounderType<\/a> (@<a href=\"https:\/\/twitter.com\/FounderType\">FounderType<\/a>) showed information about Chinese typeface design and font design companies in\u00a0<em>Status Quo of the Font Industry in China.<\/em><\/p>\n<p><strong>Keynote:<\/strong> <a href=\"http:\/\/ninastoessinger.com\/\">Nina St\u00f6ssinger<\/a> (@<a href=\"https:\/\/twitter.com\/ninastoessinger\">ninastoessinger<\/a>). In addition to showing her story and interesting path to type design, Nina presented her new publication\u00a0<em><a href=\"http:\/\/www.typegeist.org\">Typegeist<\/a><\/em>\u00a0(@<a href=\"https:\/\/twitter.com\/TDC_Typegeist\">TDC_Typegeist<\/a>),\u00a0launched with the <a href=\"https:\/\/www.tdc.org\/\">Type Directors Club<\/a> (@<a href=\"https:\/\/twitter.com\/typedirectors\">typedirectors<\/a>). Here&#8217;s the <a href=\"https:\/\/www.tdc.org\/news\/typegeist-a-publication-about-type-launches\/\">TDC announcement<\/a>.<\/p>\n<p>In\u00a0<em>Heavy Metal Type,<\/em> <a href=\"http:\/\/www.typecon.com\/speakers\/sergio-trujillo\">Sergio Trujillo<\/a> explored the type in heavy metal album designs, along with its influence of 1960s era psychedlic album covers. I should remember to share some of the metal and hardcore bands I knew in Boston in the 1990s. Some used my photos on their albums and tour posters.<\/p>\n<p>In\u00a0<em>Hoitech <\/em>[<a href=\"https:\/\/www.youtube.com\/watch?v=mlx12YqfpnQ\">video<\/a>],\u00a0Sami Kortem\u00e4ki and Akiem Helmling of <a href=\"http:\/\/www.underware.nl\/\">Underware<\/a> (@<a href=\"https:\/\/twitter.com\/underware\">underware<\/a>) explored design space thoughts in variable fonts. \u201cSo what is a design space actually really about? And what if there is no space at all?\u201d<\/p>\n<p><a href=\"http:\/\/www.lynneyun.com\/\">Lynne Yun<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/lynneyun\">lynneyun<\/a>) shared the research and practice she did in\u00a0<em>Reviving a Calligraphy Hand<\/em> after running across a gothic cursive from the 1600s.<\/p>\n<p>In <em>Writing Systems of the World: What the \u25af\u25af\u25af\u25af is going on?,<\/em>\u00a0Zachary Scheuren (@<a href=\"https:\/\/twitter.com\/zacharyscheuren\">zacharyscheuren<\/a>) presented \u201can overview of world scripts and the common problems that keep some scripts from being used. We will then look at what needs to be done to remedy this and how everyone can help.\u201d I have some similar motivation for working with communities whose writing systems have little to no support with fonts and technology, developing new fonts, tools, education, and resources while advocating future design within the communities.<\/p>\n<p><a href=\"https:\/\/wyne.enterprises\/\">Matthew Wine<\/a>\u00a0(@<a href=\"https:\/\/www.instagram.com\/lettersandliquor\/\">lettersandliquor<\/a>) showed the results of his exploration into cocktail ephemera in\u00a0<em><a href=\"https:\/\/lettersandliquor.com\/\">Letters and Liquor<\/a>: a Typographic History of Cocktails.<\/em><\/p>\n<p><strong>SOTA\u2019s Night of Type<\/strong><\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/47077533582\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7834\/47077533582_7f7cf2a4b3_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"158\" border=\"0\" \/><\/a><\/p>\n<p>The evening Type Quiz turned into <em>TypeCon Font Family Feud<\/em>, hosted by Alan Haley and Rachel Elnar. <a name=\"typography-award\"><\/a>The <a href=\"http:\/\/www.typesociety.org\/typography\/2018\/\">SOTA Typography Award<\/a> Ceremony was also held, then. The 2018 award was presented to designer <a href=\"https:\/\/www.louisefili.com\/about\/\">Louise Fili<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/louisefili\">louisefili<\/a>) and executive director of the Type Directors Club <a href=\"https:\/\/www.tdc.org\/officers\/carol-wahler\/\">Carol Wahler<\/a>. Well deserved.<\/p>\n<p><strong><a name=\"sunday\"><\/a>Sunday, 1 September 2018<\/strong><\/p>\n<p><a href=\"http:\/\/www.magpiepaperworks.com\/\">Jess McCarty<\/a> (@<a href=\"https:\/\/twitter.com\/magpiepaper\">magpiepaper<\/a>) talked about how good customer service can help set one apart and build a brand in\u00a0<em>Stop Being an Internet A**hole: Radical Ideas for Winning Customers and Making Money in a Crowded Marketplace <\/em>[<a href=\"https:\/\/www.resources.nicertype.com\/typecon-talk\">transcript\/slides<\/a>]. She put together a <a href=\"https:\/\/www.resources.nicertype.com\">useful set of resources<\/a>.<\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/40164931093\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7862\/40164931093_a038fed3f5_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.aoifemooney.org\/\">Aoife Mooney<\/a> (@<a href=\"https:\/\/twitter.com\/aoifemooney\">aoifemooney<\/a>) shared her experience learning to weave and how that process inspired a typeface in\u00a0<em>Textura: The Woven Word<\/em> (or <em>typographic texture: woven language<\/em>).<\/p>\n<p>Dave Crossland (@<a href=\"https:\/\/twitter.com\/davelab6\">davelab6<\/a>) showed the open source quality assurance (QA) tool\u00a0<em><a href=\"https:\/\/github.com\/googlefonts\/fontbakery\">Font Bakery<\/a><\/em>\u00a0[<a href=\"https:\/\/docs.google.com\/presentation\/d\/14dU3cUXelwvpVokhKYmJ6jT51AASDaOFyEUSdxb0RAg\/\">slides<\/a>]\u00a0along with its development history, implementation details, and future needs of the project.<\/p>\n<p>Rainer Erich Scheichelbauer (@<a href=\"https:\/\/twitter.com\/mekkablue\">mekkablue<\/a>) of <a href=\"https:\/\/glyphsapp.com\/\">Glyphs<\/a> (@<a href=\"https:\/\/twitter.com\/glyphsapp\">glyphsapp<\/a>) and <a href=\"https:\/\/schriftlabor.at\">Schriftlabor<\/a> (@<a href=\"https:\/\/twitter.com\/schriftlabor\">schriftlabor<\/a>) presented live coding of variable fonts and OpenType Variations in\u00a0<em>Yes, but can Variable Fonts do this?<\/em> [<a href=\"https:\/\/www.youtube.com\/watch?v=ZM1vSHzD3HI\">video<\/a>] He started with showing the Eadweard Muybridge <em>Sallie Gardner at a Gallop,\u00a0<\/em>aka\u00a0<em>Horse in Motion,<\/em>\u00a0(1878) series of photographs as a variable font.<\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/32187814117\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7830\/32187814117_5585cc18d0_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"http:\/\/meaghand.com\">Meaghan Dee<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/meagdee\">meagdee<\/a>) explored the use of\u00a0<em>Typography for Immersive, Mixed, and Virtual Environments.\u00a0<\/em>She showed\u00a0<em><a href=\"https:\/\/meaghand.com\/portfolio\/shakespeares-garden\/\">Shakespeare\u2019s Garden<\/a>: An Immersive Sound Stroll Through His Sonnets, Soliloquies, and Scenes, <a href=\"https:\/\/www.futurehaus.tech\">futureHAUS<\/a>,\u00a0<\/em>and \u201ca virtual reality piece on the poem\u00a0<em><a href=\"https:\/\/meaghand.com\/portfolio\/forgetfulness\/\">Forgetfulness<\/a>,<\/em> by Denise Duhamel.\u201d<\/p>\n<p>Radek Sidun (@<a href=\"https:\/\/twitter.com\/radeksidun\">radeksidun<\/a>) showed some of the fun results of students from the semester research project on variable fonts at the UMPRUM Academy (@<a href=\"https:\/\/twitter.com\/UMPRUMKA\">UMPRUMKA<\/a>)\u00a0<a href=\"https:\/\/www.umprum.cz\/web\/en\/graphics\/type-design-and-typography\">Type Design and Typography studio<\/a> in Prague, Czech Republic.<\/p>\n<p><strong>Keynote:<\/strong> <a href=\"http:\/\/www.homsweethom.com\/\">Lauren Hom<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/homtweethom\">homtweethom<\/a>) started off her story with asking <em>w<\/em><em>hat would happen if you asked for what you wanted?<\/em> and proposing that\u00a0<em>passion projects never stop working for you.<\/em><\/p>\n<p><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/47077539802\"><img loading=\"lazy\" decoding=\"async\" style=\"float: right;\" title=\"TypeCon 2018 Portland\" src=\"https:\/\/farm8.staticflickr.com\/7822\/47077539802_ec80c6800e_n.jpg\" alt=\"TypeCon 2018 Portland\" width=\"320\" height=\"240\" border=\"0\" \/><\/a><\/p>\n<p><strong><a name=\"typecrit\"><\/a>Type Crit<\/strong><a title=\"View 'TypeCon 2018 Portland' on Flickr.com\" href=\"https:\/\/www.flickr.com\/photos\/composerjk\/47077539802\"><br \/>\n<\/a><\/p>\n<p>One of my favorite aspects of TypeCon is the <a href=\"http:\/\/www.typecon.com\/conferences\/typecon2017\/events#sunday\">Type Crit<\/a>.\u00a0A type designer gets 10 minutes of quick critique with three master type designers: Matthew Carter,\u00a0<a href=\"http:\/\/www.typecon.com\/speakers\/john-downer\">John Downer<\/a>, &amp; <a href=\"http:\/\/www.typecon.com\/speakers\/jill-pichotta\">Jill Pichotta<\/a> (@<a href=\"https:\/\/twitter.com\/jillpichotta\">jillpichotta<\/a>).<\/p>\n<p>This year\u2019s crop of critique signups included new fonts in progress by:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.quakercreative.com\/about\/\">Brandon Buerkle<\/a> (@<a href=\"https:\/\/twitter.com\/quakercreative\">quakercreative<\/a>)<\/li>\n<li><a href=\"http:\/\/www.gor.design\/about.html\">Gor Jihanian<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/gor_jious\">gor_jious<\/a>)<\/li>\n<li><a href=\"https:\/\/hellomrpotch.info\">Potch Auacherdkul<\/a>\u00a0(@<a href=\"https:\/\/www.instagram.com\/p_tch\/\">p_tch<\/a>)<\/li>\n<li><a href=\"https:\/\/rampageraptor.com\">Kyle Leitch<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/rampageraptor\">rampageraptor<\/a>)<\/li>\n<li><a href=\"https:\/\/www.jeremybanka.com\/about.html\">Jeremy Banka<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/jeremybanka\">jeremybanka<\/a>)<\/li>\n<li><a href=\"http:\/\/www.anasofia.net\">Ana Sofia Mariz<\/a>\u00a0(@<a href=\"https:\/\/twitter.com\/anasofiamariz\">anasofiamariz<\/a>)<\/li>\n<\/ul>\n<h3><a name=\"links\"><\/a>Other Posts about TypeCon<\/h3>\n<p>When I have a little more time, I may add more links to other posts about TypeCon 2018 here. Let me know of any that I missed.<\/p>\n<p>Here are some other posts about TypeCon 2018:<\/p>\n<ul>\n<li>John D. Berry\u2019s writeup about <a href=\"http:\/\/johndberry.com\/2018\/09\/03\/typecon-2018-portland\/\">TypeCon 2018 Portland<\/a>.<\/li>\n<\/ul>\n<p>Photos:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.instagram.com\/explore\/tags\/typecon2018\/\">Instagram #typecon2018 tag<\/a>.<\/li>\n<li><a href=\"https:\/\/twitter.com\/search?f=tweets&amp;vertical=default&amp;q=%23typecon2018&amp;src=typd\">Twitter #typecon2018 posts<\/a>\u00a0and twitter <a href=\"https:\/\/twitter.com\/search?f=tweets&amp;vertical=default&amp;q=typecon%20since%3A2018-07-16%20until%3A2018-08-20&amp;src=typd\">#typecon posts near the time of the conference<\/a>.<\/li>\n<li>Flickr photos tagged with <a href=\"https:\/\/www.flickr.com\/photos\/tags\/typecon2018\">typecon2018<\/a>.<\/li>\n<li>Some of <a href=\"https:\/\/flic.kr\/s\/aHsmyA7Tk4\">my photos<\/a> from the conference.<\/li>\n<\/ul>\n<p>Presentations:<\/p>\n<ul>\n<li>Videos posted to the <a href=\"https:\/\/www.youtube.com\/channel\/UCPQS82zx5Wlt3Fg2S1S2AVg\/videos\">TypeCon YouTube channel<\/a>.<\/li>\n<\/ul>\n<p>My TypeCon trip reports: <ul class=\"display-posts-listing\"><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2025\/07\/29\/collins-music-typeface-for-the-sacred-harp-2025-edition-songbook\/\">Collins music typeface for \u201cThe Sacred Harp: 2025 Edition\u201d songbook<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2019\/04\/10\/synthplex-2019-burbank-trip-report\/\">Synthplex 2019 Burbank Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2019\/02\/17\/typecon-2018-conference-trip-report\/\">TypeCon 2018 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2018\/03\/22\/typecon-2017-conference-trip-report\/\">TypeCon 2017 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2016\/02\/10\/typecon-2015-conference-trip-report\/\">TypeCon 2015 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2014\/09\/12\/typecon-2014-conference-trip-report\/\">TypeCon 2014 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2013\/09\/07\/typecon-2013-conference-trip-report\/\">TypeCon 2013 Conference Trip Report<\/a><\/li><li class=\"listing-item\"><a class=\"title\" href=\"https:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\">TypeCon 2012 Conference Trip Report<\/a><\/li><\/ul>\n<p><a name=\"feedback\"><\/a>Please let me know\u00a0if any corrections are needed. I look forward to seeing folk at future type gatherings. I do try to attend <a href=\"https:\/\/www.typethursday.org\">TypeThursday<\/a> (@<a href=\"https:\/\/twitter.com\/TypeThursdaySF\">TypeThursdaySF<\/a>) at the <a href=\"https:\/\/sfcb.org\">San Francisco Center for the Book<\/a> (@<a href=\"https:\/\/twitter.com\/sfcb\">sfcb<\/a>), at least.\u00a0\u00a0Come talk with me about typeface design (+ music notation fonts) and tools development!<\/p>\n<p>\u2014<a href=\"https:\/\/slantedhall.com\/about\">Jeff Kellem<\/a> (@<a href=\"https:\/\/twitter.com\/composerjk\">composerjk<\/a>\u00a0\/ @<a href=\"https:\/\/twitter.com\/slantedhall\">slantedhall<\/a>)<br \/>\n<a href=\"https:\/\/1403.slantedhall.com\/\">1403 Vintage Mono Pro typeface specimen<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ The Call for Papers\u00a0is out for TypeCon 2019, 28 August\u20131 September 2019, in Minneapolis, MN. Submission deadline has been extended to Saturday, 16 March 2019, 11:59pm EST. Read the Submission Guidelines\u00a0[PDF] for useful tips. ] The 20th anniversary TypeCon\u00a0(@typecon\u00a0\/ @typesociety)\u00a0was held in Portland, Oregon, USA, 1\u20135 August 2018 at the Hilton Portland Downtown. I had to miss parts of &#8230; <\/p>\n<div><a href=\"https:\/\/slantedhall.com\/blog\/2012\/10\/14\/typecon-2012-conference-trip-report\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,25,26,32,33,34],"tags":[51,76,81,87,97],"class_list":["post-784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference","category-tripreport","category-typecon","category-typecon2018","category-typeface","category-typography","tag-fonts","tag-portland","tag-sota","tag-type-design","tag-typesociety"],"acf":[],"jetpack_featured_media_url":"https:\/\/slantedhall.com\/blog\/wp-content\/uploads\/2019\/02\/47077539802_251605fec0_o-scaled.jpg","_links":{"self":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/comments?post=784"}],"version-history":[{"count":2,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/784\/revisions"}],"predecessor-version":[{"id":935,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/posts\/784\/revisions\/935"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/media\/934"}],"wp:attachment":[{"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/media?parent=784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/categories?post=784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/slantedhall.com\/blog\/wp-json\/wp\/v2\/tags?post=784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}